Hiçliğin Kıyısında (Ciltli) - J. A. Redmerski kitap serbest oDF biçim

鄧 仰哲 askmeifyou074b — What is there left to say about Terry Goodkind and The Sword of Truth saga that hasn't been said before? At times, he has been nothing less than brilliant. Wizard's First Rule and Stone of Tears are classics of epic fantasy. They were fresh, they were original, and they were challenging. The 'Seeker of Truth' . . . the 'Mother Confessor . . . the 'Mord-Sith' . . . daring, creative, fascinating concepts, with believable characters behind them. The philosophical moralizing was heavy-handed at times, yes, but still a welcome change from the typically 'spiritual' distinction between good and evil. After that, the series began slipping downhill. Goodkind admitted that he was more interested in exploring his philosophies than in following the plotting of an epic fantasy - and boy did it show. Action gave way to talk, and talk gave way to . . . well, more talk. What was once original became boringly repetitive. Ironically, it was a book that hardly featured Richard or Kahlan at all that recaptured my interest. Pillars of Creation was not what I expected after 6 volumes, and I couldn't have been more pleased. There was still more talk than action, but Lauren breathed new life into a stale series. Too bad Naked Empire couldn't sustain it. That brings us to Chainfire. I generally loathe it when characters are stripped of their powers/identities, just to create tension and restart a sagging plot. It rarely works for me, and this was no different. Richard and Kahlan are great people, but it's hard to get excited when there's no seeking of truth and no explosive confessions. Not only that, but the plot felt . . . recycled. After all, we'd already dealt with the Boxes of Orden in the first 2 books of the series. The only reason I picked up Phantom is because I'm curious to see how Goodkind plans to wrap everything up in this, the 2nd volume of the 'final' trilogy. Things don't start out well. Over 200 pages of talking, of saying the same thing over and over again, of bashing us upside the head with the obvious. I was about ready to give up when, suddenly, we rediscover the lost art of the plot. Not to spoil anything for those who haven't read it, but there are some really interesting developments in this book. After building up the armies of the Order to the point where they truly are unstoppable, Goodkind deftly sidesteps the issue of confronting them with Richard's shocking advice to the D'Haran troops - and it absolutely works for the reader. We get a confrontation between Jagang and the Sisters of the Dark that beautifully resolves so many nagging questions, and sets the stage for a new conflict. Richard learns a lot more about himself and his role in the grand scheme of things, and all the myriad plot pieces finally begin coming together. The ending is a shocker, and something I never expected to see. For the first time in a long time I am looking forward to the next book of the series. If Goodkind delivers on even half of what he seems to be promising, it will be well worth the wait.

Ceci Lz cecilopez — If I had a top five, this book would definitely be in it for my favorite novels of all time. It fits in with my dual interest in both prep school and coming-of-age books, which I'm sure must say something about me, though I'll refrain from self-psychoanalysis here. Suffice to say I was extremely moved by this book, I have several copies, and whenever I see a new version in a bookstore I feel compelled to buy it, as if owning just the one copy doesn't do it justice somehow. Holden's struggle with the intangible line between adolescence and adulthood, all the while with no one to look after him, immortalizes the struggle everyone must make when facing adulthood. Yet Salinger makes it so much more than that, and I'd like to re-read the novel again as an adult.

Michael Joudal myispguy — (The description attached to this book in Goodreads isn't really accurate, because the main character ISN'T drawn to the house by her own passion, really. Rachaela gets manipulated into most of her decisions throughout the book, and she doesn't seem to WANT anything, other than to be left alone and not bothered. Her motivations can be summed up as "I'm comfortable with how things are and I don't want them to be changed. Okay, things have changed and I'm comfortable with how they are NOW and I don't want them to be changed.") I think I'd describe this book as "trashy", but in a good way. It's very dark (naturally), with lots of gloomy descriptions and VERY flowery prose. I'm currently in the mood for dark books, so this works for me. Oh, and the "trashy" description comes from the fact the story is about an ancient, incestuous family trying to preserve their bloodline, and the only capable breeder in the family happens to be Rachaela's father. You tell ME how that's going to turn out.

Jac Harries _ac_arries — I read this book once a year, usually when I'm feeling a bit blue and want something warm and comforting. I'm a sucker for a well-written, epic novel, and this one delivers. Pilcher's descriptions of Cornwall are tantalizing, and she somehow makes WW2 era England seem cozy and romantic.

Erwin Bindeman _rwin_indeman — When I first began reading To Your Scattered Bodies Go, I didn't give it enough credit. It has an amazing premise, and as a narrative it contains both the conflict and the thematic depth required to create a compelling science fiction story. And, I mean, it won the Hugo award—that can't be bad! So why was I so incredulous in the beginning? I'm not sure. It might have been the opening, which didn't draw me in like a book should. And it was difficult to connect to Burton as a character at first, although eventually I came to respect his adventurous, rebellious nature. What first won me over was Burton's relentless rational approach to analyzing Riverworld. The majority of resurrected humans at first regarded their new life as a religious event (although obviously it didn't correspond to whatever religion they endorsed). Burton and many of his companions apply the scientific method to their observations, from the use of their grails and the operation of the grailstones to the way in which resurrection works. This approach to Riverworld is one reason Burton survives for so long and becomes a thorn in the side of Riverworld's operators (whoever They may be). To Your Scattered Bodies Go is actually the combination of two stories: a look at what would happen to humanity if everyone was collectively resurrected in a massive river valley, and the story of one man's struggle to discover and thwart those who caused this resurrection. The first story allows Farmer to ask the big questions. Are humans deserving of a second chance? Can they actually change their ways? Aren't we all curious about what really happened in past societies? Who wouldn't want a chance to see what Caesar was like or talk to Shakespeare? To his credit, however, Farmer sprinkles his story with famous personages and leaves it at that. He could easily have set up an all-star cast for little reason, but by limiting who we meet, he keeps the story focused and makes those people all the more interesting. By far, the famous person who gets the most pagetime is Hermann Göring. He starts out as the opportunistic conqueror he died as, but gradually he becomes a guilt-ridden madman and then the local leader of a post-Resurrection religion. Göring is Farmer's case study and a fascinating one. The second story, however, provides the meat of the conflict. Burton discovers that whoever resurrected humanity has agents among them, watching them. Depending on who he asks, these entities either have an altruistic agenda or a sinister one. Either way, Burton plans to get to the bottom of the mystery by finding the source of the River. It's a common story: nearly powerless protagonist pitted against beings of immense power with his only weapon his will to survive and triumph. But set in the enchanting Riverworld, Burton's quest is part legendary—he rightly compares it to The Odyssey—and part necessary: he needs to rebel and explore, because he isn't content to stay home and help in the founding of a new civilization. I would have liked to see Farmer develop some of the other characters in more interesting ways. Alice Hargreaves shows up, but her role is only as love interest and (sometime) warrior. Her relationship with Burton is superficial and tenuous at best. Farmer creates a small cast of characters, but then he leaves them behind as Burton begins venturing across Riverworld via "The Suicide Express" and we don't see them again until the end. I'm not satisfied with that . . . I would be more interested in learning what happened to them during the time Burton was away. This book pleasantly surprised me. It's somewhat slow at the beginning, but the mystery of who resurrected humanity and why quickly becomes engrossing. To Your Scattered Bodies Go is a good science fiction exemplar, something one can hold up and say, "See? This makes you think. And it's fun to read too!"