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Seo R spark1231 — I thought this book would be perfect for me. It was listed as a real-life legal drama in the courtroom and the Patent Office between a solo inventor against a Nobel Prize-winning physicist and huge American corporations. And, as I got into it, I appreciated that it was written as a PBS American Experience special would be narrated. By the end, though, I was less impressed. I have an engineering degree and am a patent attorney. I live patent law. This, I thought, oversimplified the legal aspects for someone who understands patent law, and likely would go right over the head of someone who doesn't. Same with the physics. Too simple for someone who understands basic quantum mechanics, but way too complex for someone who doesn't. I realize that sounds elitist, but I'm concerned recommending this book without such a foundation. If you take out the science and the law, 20% of the book is gone. I'll give an A for effort that the author tried to distill complex science and one of the most convoluted forms of American law down for the reader. I'm not sure I could do better. In fact, I'm not sure I always do better when dealing with clients. But some red flag should have gone up editing this book that, "Oh crap, this complexity could be a problem." And speaking of editing, the writing could be better. I hate picking on this book more, but, for example, the same two paragraphs are copied onto both page 196 and 197. It should have been one or the other. Overall, I was underwhelmed that such an interesting story got mired in the background material. My hopes were probably too high (so keep that in mind with my review), but I'd read something else. Unfortunately, if you're looking for a patent law courtroom drama, I have no idea what that something would be.

Paper Ou paperou — a true epic.

Nguyen Thanh putadesign828b — It starts out with a car chase in Greenpoint, which is home sweet home for me, e\and centers on the King of Smith Street. Lionel Essrog, the narrator, tells the story of the Minna Men through his Tourrette's suppressions and compulsions. The famous toothbrush paragraph is excellent, of course, and the overall narrative voice is great. The main strength of the book is the narrative voice and it's worth reading just to explore that. It's a good read, and was a surprisingly quick one for me. Saved my opinion of Lethem after You Don't Love Me Yet, (stay away from LA, Lethem, stick to BK) and I think I'll tackle Fortress of Solitude next. Anyone want to loan it? Ironically this has been waiting on the shelf for a long time because I was intent on reading it while actually in Brooklyn. I ended up reading it in Beijing, China. Which was in a way sort of better, for me, since I got to indulge any homesickness.