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Stone Cool a159521857636613 — wife thinks husband is cheating on her so she has her own affair - her husband kills her lover but not because of the affair ( he knew nothing about it) the wife finds out about his double life - she hid all the evidence from the murder to keep him out of trouble

Kk Jean jeankk — This book is fascinating for many reasons, many of them personal--as an amateur Arthurian scholar and medievalist, as a novelist, a recent convert to Steinbeck fandom, and a reader and lover of words. A huge asset is the appendix of letters Steinbeck wrote during his eight year odyssey with translating Malory's Morte D'Arte for the modern reader and falling short of the goal. Of the four sections he tackled, the first two on Merlin and Arthur's marriage are faithful adaptations, but still Steinbeck's sensibility and gift for prose make them come alive with a freshness that surprised me as one so grounded in the romances. I am rather jaded at this point with modern writers who try to adapt the romances to modern fiction, staying faithful in the wrong places and straying from them in ways that prove artificial and betray the material. Somehow Steinbeck, though guided by his own sensibilities, pulls it off without violating the original author's vision. In the final two sections, Steinbeck transforms knightly adventures of a handful of pages to span a hundred, and here Steinbeck gives full reign to his vision of who are these men and what did they think and feel as they pursued their quests and met various damsels. The characters jump off the page, and his Lancelot is a fascinating mix of excellence and limitedness. It is also interesting to watch how a writer known for his realism and failed dreams revels in a world where necromancy, giants, dwarves, dragons and unicorns are very real, and how he adapts a literature of symbolism to speak to a modern audience without betraying it.

Meryem Betül sevdaunal31611 — 3.5*

Carolina Fuenzalida carofuenzad43c — The Uses of Enchantment tells the story of a middle-class suburban teenager, Mary Veal, who mysteriously disappears. When she turns up after a couple of months, she is taken under the wing of a therapist who determines that she faked her own abduction, and writes a book about this "syndrome" in adolescent girls. The story is told from different perspectives--that of the therapist, the present-day teenager (now in her 30s), and chapters entitled "What Might Have Happened," which recount the abduction (or do they?). There is also a parallel story of a teenager abducted in the 1970s under similar circumstances, and another one about a Salem witch. What actually happened is never made clear, which I guess is much of the point, but so frustrating! I'm not opposed to ambiguity in plot, and under certain circumstances find it refreshing, but there was so much ambiguity here that it obscured the story. Although Julavits is great at description, there is also some uneveness in tone, and I found some of the dialogue (exchanges with her sisters, in particular) excruciating. I have no sisters and therefore no personal experience upon which to judge, so perhaps talking to them is excruciating? All in all, an ambitious novel with some rough patches.

Tuan Baykut tuanbaykut — I had this book recommended to me by someone and at first I thought..."No, sorry I'll never be able to get into a book that is based on total fantasy, fantasy creatures fantasy lands..it just isn't for me" Well Never say NEVER because I truly liked this book. It was well written it is well thought out has a definite direction. The characters both main and secondary are extremely easy to like...the villains are bad as they should be...I am on book two and zipping through that as well. I won't retell the storyline as you can read that on the book blurb, just want to state my opinion. I am happy I tried this book and didn't stick to my preconceived notions about pure fantasy romance.

Alma Revolloso almarevollosophoto — Rating: 4.875* of five The Book Report: At the end of Bury Your Dead, Clara Morrow learned some news that sets in motion the plot of this latest Gamache-in-Three-Pines book. It is the kind of news that leads a person to plan a big, exciting party in her back garden, inviting tout le monde to share food and drink. The party was a smashing success, that is, until the next morning: Peter and Olivier are returning from a very important errand when their return is interrupted by the discovery of a body in the garden. Ye gods and little fishes! Murder is, as Inspector Jean-Guy Beauvoir says, "a cottage industry" in Three Pines. It's a woman, dressed to thrill in a neon-red dress...and it's a woman well-known to Clara and Peter, a horrible memory buried in their shared past. Lillian Dyson, the victim, is a terrible, terrible person, a tornado in the lives of others, a destroyer without a creative bone, or so she was when Clara and Peter knew her. She found her way to obscure little Three Pines, and Clara, by means unknown and for motives unclear. What Gamache does is, as always, slow and patient and meticulous: He talks, asks, and listens carefully to everyone he can find. (His discoveries about the dead bitch...I mean, the victim...are such that I, for one, was damned good and glad she was dead.) He thinks his fast-moving thoughts. He worries about those he loves more in this book than in any previous one (and for good reason). He makes his discoveries with a sense of triumphant gloom, a species of miserable rightness that is Penny's most enduring gift to the mystery genre. He isn't defeated by his sadness over human nature, but he is weighed down by his knowledge of what hearts can contain and what eyes can conceal. When, in the end, the devil of a killer is caught, I was SO HAPPY I CHEERED (to the dismay of my previously sleeping housemates), and was also reminded yet again that no one is safe in the Pennyverse. Another example of this truth is the union of Clara and Peter, which ends this installment of the series in very serious peril; the cracks and fissures in the characters of each spouse are, at last and under the pressure of extreme events, forced to the surface. The end of this book is, naturellement, the set-up for the next. However fast La Penny writes, it's torturously slow from the PoV of the Three-Pinesians like me. My Review: Joyously returning to Three Pines. It's like going to my oldest friend's house for a Scotch. Much chat, no sense of hurry or rush, but the ever-mounting urgency of sharing the news and hearing the news and expressing the passing thought and sometimes, unexpectedly, sharing a memory that makes us go quiet and pensive, makes time zip past and the minutes seem unending. Just marvelous. I want more.

Johanna Miller _iller_o — Waltz is a great writer and I have most of his books. It is his approach to these subjects matters that is most useful. He will mix in philosophy, cognitive science, experience in the field and everything else to help the reader understand from multiple perspectives the topic of information warfare.