Köpeğimin Adı Erik - Ayşe Sarısayın EPub e-kitap Bir kitabı indir

Gabriel Reboredo reboredo1962cd — It's a good book, but based on the show...the show is better.

Niketa Mohan niketamohad4d1 — In 1967 I was 15 years old and I fell in love with Julie Andrews. However, due to the facts that there was an almost 17 year age difference and Ms. Andrews was unaware of the situation my love remained unrequited. Eventually I did recover from my broken heart and had to admit to myself that I was quite likely not the first 15 year old to fall in love with someone from (what was then called) the "Silver Screen" (though to be honest in the years since I suspect it has become more common for 15 year olds to be "overcome by lust" than to fall in love...just a flash thought). Time has past and I no longer feel my heart palpitate (much) when I see or hear Ms. Andrews perform, but I have remained a fan of most of her work. I got the audio of this book mainly because it's read by the author herself and I thought the experience of hearing reminisce about her life not only in her own words but in her her own voice would be a rewarding experience. I found it so. I would say that anyone who would like to read (or hear) about the era in question (Ms. Andrews Edwards was born in Oct. 1935 and begins her story when she was very young) as well as those of us who are simply fans of the author might find this a rewarding book. The book begins (as noted above) in the writer's youth and carries us through her young adulthood. It ends around 1963 just as she is beginning to work on Mary Poppins having already (just) been on Broadway in 3 hits, one monster hit, My Fair Lady and a second also huge hit Camelot (her first foray on Broadway was The Boy Friend, it was also her American stage debut, and a hit in it's own right). While I have always chaffed at the fact that she wasn't asked to play Eliza in the movie version of My Fair Lady, Ms. Andrews Edwards herself here is never anything but gracious about this...or for that matter anything. Giving us a clear portrait of her life both pleasant and unpleasant parts she reminds us (without really trying) that it is possible to be civil and of a generous spirit without being false. I find the conclusion inescapable that society in general has become meaner and more petty. Ms. Edwards relates so much of her own life and her inner thoughts here that those who are her fans will probably enjoy the book simply for that. She met so many people who are now (and actually were then in some cases) legends, Moss Hart, Alan Jay Lerner, Frederick Loewe, Richard Rodgers, Oscar Hammerstein, Walt Disney and that's only a few. She also met and became fast friends with Carol Burnett, the two of them performing together over the years the relationship based in that friendship. So, interested in the person or the period, you might like this one. I enjoyed this book and give it a correspondingly high rating. One of the abiding disappointments in my life is that I never got to see Ms. Andrews as Guinevere in Camelot. I have always had trouble sympathizing with the character and the way Vanessa Redgrave played her in the movie only made it harder. I know that in the stage play the character's struggle is more apparent. But, as is the case with so many (read most)of the great stage plays of the past...it's gone, no record remains. Thus the insight here to this period of time, that play and all the others is wonderful and I'm glad it's here that the story not be lost. I truly hope Ms. Andrews Edwards decides to go on with her memoir and look forward to it if she chooses to do so.