Cyrille Renouvin itibaren Yan Ri, Sam Ngao District, Tak, Thailand

_yrille_enouvin

04/28/2024

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Cyrille Renouvin Kitabın yeniden yazılması (10)

2019-12-12 15:41

BYMOU Uzun Sap Maun Bağlama TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Ses Müzik Aletleri

One of my absolute favorites in the world. It was sooo humorous but also at the same time piqued my curiousity and thought life as to Jesus' childhood... his life, his nature and character. And it had me on the ground laughing.

2019-12-12 16:41

Avrupa Birliği'nin Bölgesel İhtilaflara Yönelik Politikaları TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Detay Yayıncılık

ومازلتُ أعرفُ أن الزمانَ, ومهما تزين .. قبحٌ جميلْ*

2019-12-12 17:41

Kıblegah Evler - Nureddin Yıldız TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Tahlil Yayınları

This slim volume is an oral history on everyone’s favorite devil rockers, Black Sabbath. There’s a lot of Bill Ward rambling away in his lovable fashion. He’s better to watch being interviewed than read, but it’s still pretty entertaining. Obviously, the book is light on details. It’s kind of like skimming someone’s career as you would skim a book. Highlights, if you will. One of the interesting things about this book are the many, many grey boxes containing a list of the various Black Sabbath lineups that formed and unformed (deformed?) through the years. I should mention I have heard nothing after Born Again. Wait, no, I remember I bought Seventh Star, took it home, did not like it and traded it for something else. Probably some Maiden or something. But, full disclosure, as much as I dig the Ronnie James Dio (except Dehumanizer, which I have not heard) and Ian Gillan stuff, the rest is of no use to me and I won’t attempt to comment on the relative quality of any of it. Anyway, since it’s all there in black and grey, let’s take a look at the Black Sabbath lineup dance from 1968ish to 1998ish: Ozzy Osbourne: vocals Tony Iommi: guitar Geezer Butler: bass Bill Ward: drums That’s the easy one. That’s also the best one. That’s also, I would argue, the only one. When they got Dio back in the fold for the third time, they decided to call it Heaven And Hell. Good call, ‘cause the only Sabbath that really Sabbathed was Black Sabbath and that’s Ozzy, Tony, Billy and Geez. Technical Ecstasy is kind of a mess and Never Say Die is a lot better than Technical Ecstasy, but those first six Sabbath LPs, the self titled one through Sabotage, are the prize. That’s where all these bands got their influence from, the blueprint to a thousand bands. Ten thousand. A hundred thousand. You get the point. Dave Walker: vocals Tony Iommi: guitar Geezer Butler: bass Bill Ward: drums This lineup was actually between the recording of Technical Ecstasy in 1976 and Never Say Die in 1978. It is noted that, “This version of Black Sabbath made no released recordings.” Walker started in The Redcaps, joined the Idle Race in 1970, left to join Savoy Brown in 1971, joined Fleetwood Mac (pre Lindsey and Stevie) then joined former Fleetwood Mac-er Danny Kirwan in Hungry Fighter and- no, no, stop right there. Once you’re in a band called Hungry Fighter, Danny Kirwan or no, your legacy is at its nadir. Moving right along… Ronnie James Dio: vocals Tony Iommi: guitar Geezer Butler: bass Bill Ward: drums Geoff Nicholls: keyboards This lineup recorded Heaven And Hell and was evidence of the success of Sabbath without Ozzy. Dio was the right man for he job. This is good stuff, ladies and gentlemen. Good stuff, indeed. It is noted Geoff Nichols is not listed as a full member of the band. Quite a bit was made in this volume regarding acknowledgement of Nicholls’ membership in Black Sabbath. Ronnie James Dio: vocals Tony Iommi: guitar Geezer Butler: bass Vinny Appice: drums Geoff Nicholls: keyboards This is the lineup that recorded Mob Rules and Live Evil. Bill couldn’t make it and that’s too bad because he was so integral, so vitally important to what Black Sabbath was. But he had some things going on so in comes Vinny. All concerned parties should, by now, be well aware that Ronnie was in Elf before hooking up with Deep Purple guitar grump, Ritchie Blackmore, in Rainbow, but some may not be aware that Vinny played with Rick Derringer and John Lennon! Ian Gillan: vocals Tony Iommi: guitar Geezer Butler: bass Vinny Appice: drums Geoff Nicholls: keyboards Ron and Vinny leave to form Dio. Deep Purple singer, Ian Gillan joins for the recording of Born Again. Born Again has gotten a lot of flack since its release in 1983. I went to the music section of Fred Meyer in Richland many times, looking at the demon baby on the cover, trying to get up the gumption to just buy the damned thing. Finally, I did and I was pleased. My mother not so much; she hated that album cover. Not as much as she hated the Hellhammer album cover, though! As maligned as this album is, it is wonderful. It’s at least as good as the Dio stuff and for all the same reasons. In fact, it trumps Mob Rules because, hey, who’s that behind the kit for Born Again? Bill Ward. They found out he was sober and they were, like, “Hey, let’s get Bill. Good ol’ Bill.” Well, Bill kicks butt on Born Again. And Ian Gillan is one of the best rock singers, ever. Ian Gillan: vocals Tony Iommi: guitar Geezer Butler: bass Bev Bevan: drums Geoff Nicholls: keyboards Bev Bevan was a member of The Move (!) and, before and after his time with Sabbath, ELO (?). He was brought in for the Born Again tour because, well, Mr. Ward was having some more problems. Fine. Understandable. Moving on… Dave Donato: vocals Tony Iommi: guitar Geezer Butler: bass Geoff Nicholls: keyboards I don’t understand how this constitutes a lineup, as there is no drummer. Ian Gillan went back to reform Deep Purple and Mr. Bevan goes back to ELO. I can see why Mr. Gillan did what he did but… ELO? Really? I don’t know what Dave Donato did before Sabbath but he went on to join White Tiger with former Kiss guitarist, Mark St. John. Ozzy Osbourne: vocals Tony Iommi: guitar Geezer Butler: bass Bill Ward: drums Wait, hold up. They’re back together? The original lineup? Oh, no, wait, it’s just for Live Aid. Then Iommi formed a whole new Black Sabbath lineup: Glenn Huges: vocals Tony Iommi: guitar Dave Spitz: bass Eric Singer: drums Geoff Nicholls: keyboards Apparently, this lineup was meant to be a Tony Iommi solo band but instead called themselves Black Sabbath and recorded Seventh Star. As I said, I owned Seventh Star once but can’t remember a riff, lick or drum fill off the thing. Dave Spitz, incidentally, is the older brother of Anthrax guitarist, Dan Spitz and was nicknamed “The Beast.” Glenn Hughes replaced Roger Glover in Deep Purple when Glover and Gillan left (Gillan being replaced by David Coverdale). Ray Gillen: vocals Tony Iommi: guitar Dave Spitz: bass Eric Singer: drums Geoff Nicholls: keyboards Ray is no relation to Ian. Their last names are even spelled differently. There is some confusion, however, because Ian Gillan is listed as singer for this lineup and is referred to in the accompanying text. When I first read this book in 1998, this was pretty difficult to comprehend. Ray Gillen was brought in to replace Mr. Hughes, who went off to do a bunch of nutty stuff. Then Dave Spitz leaves and you get: Tony Martin: vocals Tony Iommi: guitar Bob Daisley: bass Eric Singer: drums Geoff Nicholls: keyboards I don’t know where Tony Martin came from but he went on to sing for a lot of bands. Eric Singer joined Sabbath after a stint with Lita Ford and would go on to drum for Alice Cooper and Kiss. Bob Daisley is Australian. He was in Mungo Jerry after they had their hit. He ended up in Ozzy’s band, got fired (along with drummer Lee Kerslake) and (with Kerslake) sued Sharon Osbourne’s pops (Don Arden) then Ozzy and Sharon over performance royalties. So what did the Osbournes do? They deleted the records in the back catalog that featured Daisley and Kerslake (don't worry, it was just Blizzard Of Oz and Diary Of A Madman, y'know, the two most classic Ozzy albums ever) and had Mike Bordin (Faith No More) and Robert Trujillo (every band since 1990) come in and re-record the drums and bass, respectively. Daisley and Kerslake’s case was then thrown out of court. That’s how far the Osbournes went to not have to pay Daisley and Kerslake. I’m not sure which is the bigger crime, ripping these guys off or essentially destroying those LPs for future generations who won’t know better. Well, they wouldn’t know better except for boring, old music geeks like myself. Y’know, “Get the vinyl! Make sure you download the ‘bootleg’ and not that horrid re-recording!” But it’s indicative of a pattern that, if you study the matter, reveals itself over time. It’s a pattern that involves the Osbournes being rather rude to the help. Bill gets it in a bit, just you wait. Anyway, let’s get back to the Sabbath member parade… Tony Martin: vocals Tony Iommi: guitar Bob Daisley: bass Bev Bevan: drums Geoff Nicholls: keyboards Eric goes off to join Badlands with Ray Gillen, not Ian Gillan, as the text states. Whoever proofread this thing probably never even heard of Black Sabbath. Anyway, off goes Eric and in comes Bev. Again. Somehow, the last three lineups managed to record Eternal Idol. Tony Martin: vocals Tony Iommi: guitar Jo Burt: bass Terry Chimes: drums Geoff Nicholls: keyboards Daisley goes off to noodle around with Gary Moore. He is replaced by Jo Burt, who, at various times in his career, was bassist for The Troggs, The Sweet, Brian Setzer and so forth. He is now in The Jo Burt Experience, who’s sound he describes as, “Nashville rock with an English accent.” Tra la la. This lineup tours to support Eternal Idol. And, no, that’s not a typo; Terry Chimes of The Clash played drums. Imagine that. Tony Martin: vocals Tony Iommi: guitar Geoff Nicholls: bass Terry Chimes: drums Several months later, this lineup plays a benefit show. Terry is still clashing away on drums but now Geoff, who no one has bothered to credit on record sleeves for his keyboard work, gallantly switches to bass because Jo Burt has wandered off. Tony Martin: vocals Tony Iommi: guitar Laurence Cottle: bass Cozy Powell: drums Geoff Nicholls: keyboards This lineup comes to light several months after the benefit and records Headless Cross. Laurence Cottle was a jazz-fusion bassist previous to his hiring by Black Sabbath. Cozy Powell has played for The Jeff Beck Group, Whitesnake, Rainbow, Mike Schenker, all kinds of people. Tony Martin: vocals Tony Iommi: guitar Neil Murray: bass Cozy Powell: drums Geoff Nicholls: keyboards Laurence is replaced by Neil Murray, who is Scottish and has played bass with Whitesnake, Mikey Schenker, Brian May, Peter Green, etc. Even better, he was in a band called Gogmagog with former Iron Maidens Paul Di’Anno, Clive Burr and Pete Willis and current Iron Maiden Janick Gers but is somehow not related to Iron Maiden guitarist, Dave Murray. This lineup records Tyr. Tony Martin: vocals Tony Iommi: guitar Geezer Butler: bass Cozy Powell: drums Geoff Nicholls: keyboards Geezer’s back, but this lineup does not record or tour. Then Dio comes back: Ronnie James Dio: vocals Tony Iommi: guitar Geezer Butler: bass Cozy Powell: drums Geoff Nicholls: keyboards Cozy goes to get a sandwich. The guys were gonna’ wait for Cozy to get back before recording but the label said, I would imagine, something along the lines of, “Tony, seriously, who cares? How many drummers have been in Black Sabbath? Just get another one and get on with it!” Ronnie James Dio: vocals Tony Iommi: guitar Geezer Butler: bass Vinny Appice: drums Geoff Nicholls: keyboards It’s the Mob Rules lineup! They record Dehumanizer and get set for worldwide domination. It couldn’t last. Ron found out they were supposed to open some show for Ozzy and said, “No way in heck, I’m out.” Rob Halford: vocals Tony Iommi: guitar Geezer Butler: bass Vinny Appice: drums Geoff Nicholls: keyboards Rob Halford stepped in and opened for Ozzy. Dio took his toys (and Vinny) and reformed Dio. Then, don’t look now… Ozzy Osbourne: vocals Tony Iommi: guitar Geezer Butler: bass Bill Ward: drums It’s Black Sabbath! Alright! What are they gonna’ do? Oh, just four songs at Ozzy’s retirement show? Huh. I guess that’s… neat. Now they’ve got that out of the way… Tony Martin: vocals Tony Iommi: guitar Geezer Butler: bass Bobby Rondinelli: drums Geoff Nicholls: keyboards Bobby Rondinelli (Quiet Riot, Blue Oyster Cult, Rainbow) comes in on drums, Tony Martin’s back singin’ and these guys record Cross Purposes. After fourteen years in the band, Nicholls gets listed on the LP. Tony Martin: vocals Tony Iommi: guitar Geezer Butler: bass Bill Ward: drums Geoff Nicholls: keyboards Bobby quits. They get Bill back. They play South America. Tony and Geez have a lover’s quarrel. Tony Martin: vocals Tony Iommi: guitar Neil Murray: bass Cozy Powell: drums Geoff Nicholls: keyboards The Tyr lineup, back for more. They record Forbidden with Ernie C. (Ice-T’s Bodycount) in the producer’s chair. Tony Martin: vocals Tony Iommi: guitar Neil Murray: bass Bobby Rondinelli: drums Geoff Nicholls: keyboards Cozy suffers exhaustion and has to leave the tour. Bobby comes back and finishes out the tour. Nice one, Bobby. Then Ozzy (i.e. Sharon) invites Tony and Geez to play some Sabbath numbers with Oz at Ozzfest but NOT THAT AWFUL BILL WARD. Bill takes it like a gentleman. I don’t know what the deal was but it’s happening again. Sharon’s organizing a reunion of the “original lineup” but Bill won’t be participating. You can find out more online. I don’t know the whole story but I’ve heard it’s because they don’t want to pay him 25% of the earnings. If that’s the case, why wouldn’t he receive a quarter of the monies earned by this four piece band? I wonder what sort of percentage Tony and Geezer are getting. Y'know, for all the short shrift Mr. Ward has received over the years, his quotes account for about 50% of this book. That's partly 'cause he talks a lot, I guess, but still. He’s a nutter but he’s a talented nutter who was responsible, at least as much as his fellows, for the sound of Black Sabbath, for what Black Sabbath was and what they became in terms of cultural influence. So I find it disgusting that anyone would have the audacity to not bend over backward to make it possible for Bill Ward to be part of “this thing” because “this thing” is Black Sabbath and all that’s ever meant is Geezer Butler, Tony Iommi, Ozzy Osbourne and BILL f*cking WARD. That’s Black Sabbath. End of story. And I have to say, I think Tony Iommi using the name Black Sabbath to cover a “band” that went through something like twenty five lineup changes involving one guitarist, one keyboardist, nine vocalists, six bassists and seven drummers is at least suspect. I’ve had people argue, “More power to him for keeping the band together,” but he didn’t. He didn’t keep the band together at all. He did go out with Lita Ford for a while, though. I don’t know if that counts.

2019-12-12 18:41

Bağlama Yaprak Özel Maun Uzun Sap BYMOU (Saz Kılıfı + Saz Teli Hediyeli) TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Ses Müzik Aletleri

I really enjoyed this one. It had some religious stuff that was not really to my taste, but it was presented in a way that was very believable for the situation.

2019-12-12 19:41

YDS Publishing YDS LYS 5 Road To Success Grammar Book TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: YdsPublishing Yayınları

total page turner. and fun for the art nerd inside me.

2019-12-12 20:41

Downfall (Çöküş) ( DVD ) TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından:

One of the major sources for Gravity's Rainbow, IG Farben is a nifty early work of corporate history that uncovers the nastiness that Farben was up to well before WWII. Most notably, they waited for occurrences of blood poisoning to peak after WWI and sold off the patent for a cure while demand was highest, allowing millions to die in the meantime so that they could maximize their profits. By the time World War Two came around, they were even worse. Pretty terrifying, and worth reading even if you have no intention of tackling Gravity's Rainbow.

2019-12-12 21:41

Hacc Ve Umre TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Kahraman Yayınları

“And the successor to that Catholic dogma? Believe it or not, it’s us, with our all-benevolent health-obsessed society. Bodies once received from God are, under the rules of a lifeist admedistrative society, public property. God doesn’t own us anymore, everyone does. Never before in history has ‘the importance of life’ been such a loaded term.” Miach was right, of course. And that was why we had to die. Because our lives were being made too important. Because everyone was too concerned about everyone else. Of course, it wasn’t enough to simply die. We had to die in a way that made a mockery of the health regime we were supposed to uphold by law. At least, that was what we thought back then. *** As a Brave New World-esque satire of the utopian/dystopian formula, Project Itoh’s Harmony treads disturbing waters through the approach of death being the instigating factor that can offer change for entire social trajectories. Not just death, in fact, but murder and suicide, specifically. Taking place mostly in a Japan of the somewhat-near future, Harmony envisions a world that has at once sterilized and commodified itself. Following the Maelstrom—the much alluded to nuclear holocaust that nearly wiped out humanity—admedistrations have taken over, treating the health and welfare of citizens as tasks guided by perfectionism. However, all is not well in a medically infused wonderland. Three young women—Miach Mihie, Cian Reikado, and the protagonist, Tuan Kirie—decide, at Miach’s insistence, to challenge the admedistrations and the WatchMe technology that monitors their bodies and minds by committing suicide. They intend to starve themselves to take back their bodies—to own their physical and emotional selves in a way that the admedistrations have all but made impossible. Though the attempt is mostly a failure, it pushes Tuan down a contradictory path as a World Health Organization officer who delights in punishing her body through nicotine, alcohol, and caffeine, which can still be found and acquired in other nations. When Cian re-enters Tuan’s life and their suicide pact is recalled, events unfold that may threaten to not only topple their admedistration-focused society, but to transform the face of the world. Employing an HTML mark-up style for memories, emotions, and internal questions, Itoh constructs Harmony as a potentially dishonest narrative—especially given then the book’s welcome yet disheartening conclusion. At first the HTML styling seems cumbersome, disrupting the book’s rhythm with point-form lists. By the book’s conclusion, the HTML styling serves a dual purpose: first, it enforces the pervasiveness of the admedistrations and the WatchMe programming; second, upon completion, it offers a possible alternate meaning to the entire novel, one predicated on the possibility that it has been less a mystery and more a cautionary retelling of events, to instil fear of “unhealthy” motivations in the minds of a technologically placated society. It’s a unique reversal of perspective that feels earned and not in any way meant to pull the rug out from beneath the feet of the readers. The subject matter of Harmony seems especially prescient given our growing obsession with health, and more importantly, misdirected fear over what is and is not indicative of health. Starvation and gluttony are the parallels most employed in Harmony, perhaps as it is for Miach, Cian and Tuan, because they are two of the least visible ways in which these girls could, at such a young age, attempt to destroy their bodies. Itoh is also making a clear statement that these associative problems are legion, and their impact on children—especially young women—in the future will be as persuasive and deadly as it is today, given the force by which the culture in power seeks to reconcile its own bodily fears and misconceptions. Harmony works as much as a commentary on current and future health and social practices as it does a story of friendship found, manipulated, and destroyed beyond any point of return. Perhaps most unnerving, given the story’s admedistrative totalitarianism, is knowing that Project Itoh finished this novel while in the hospital, dying of cancer. He passed away in 2009. Harmony is his final work.

2019-12-12 22:41

Ana Yazım Kılavuzu TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Epsilon Yayınları

Completely original and surprising. Beautiful prose and rich characters. Sad to have finished this amazing novel.

2019-12-12 23:41

Ümitsizliğin Yakın Tarihi TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Ceren Yayıncılık

Different than DaVinci Code... maybe not quite as slick... but still an interesting read.

2019-12-13 00:41

Psikolojinin Tanımı TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Yeryüzü Yayınevi

Knucklehead: Tall Tales and Almost True Stories of Growing up Scieszka by Jon Scieszka Published by Viking 2008 Non-Fiction: Autobiography Jon Scieszka tells tales of his childhood in Knucklehead. The book is very funny and especially appealing to young boys. Reluctant readers can benefit from the structure of the book: short chapters that really can be read in any order. They will also find Scieszka's memories of his childhood easy to read and relate to. There is a great deal of intimacy established between the author and the reader; a child may feel that he or she is the one the stories have been written explicitly for. It is encouraging to the child and they may desire to read more of Scieszka's books or other author biographies. Jon grew up in Michigan with his mother, father and five other brothers: Jim, Tom, Gregg, Brian and Jeff. The boys got into a lot of trouble growing up, but also had an immense amount of fun. Being the second oldest, Jon spent plenty of time tricking and tormenting his younger brothers. My favorite chapter was when Jon was in school and he started laughing in class. The teacher asked him the classic, "Would you like to share what is so funny with the class" line and Jon decided to tell the joke. It shocked his teacher, but got a big laugh from his classmates. This story is illustrative of the universality found in all the stories and that young boys or even girls with siblings can easily relate to them. If kids have read Scieszka's books before then they will surely enjoy seeing a real face behind the author's name found on the cover. There are a lot of photographs used in the book, which also help in creating a very personal relationship with the reader. If a child learns an author is a real person and may have shared similar experiences, it has the power to take their reading experience to the next level.

Okuyucu Cyrille Renouvin itibaren Yan Ri, Sam Ngao District, Tak, Thailand

Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.