Anima Design itibaren Walbrzych, Poland

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11/05/2024

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2019-07-31 03:40

Bir Dünya Kurmak : Hüsnü Özyeğin’in Yaşam Öyküsü - Rıdvan Akar TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Özyeğin Üniversitesi Yayınları

Where to begin with the awesome that is this book? The synopsis doesn't define Them so I was just kind of assuming They were zombies. Now, I love me some zombies (like, for reals, I'll take zombies over faeries/vampires/werewolves/etc. any day), but I'm loving something even more these days: aliens. Sadly, aliens are so very rarely done well. I was super disappointed when I found out the aliens were as cliche as they could get: two arms, two legs, green. The only cool thing was there crazy sharp teeth. To be fair, though, by the end I was perfectly content with their appearance, intrigued even. I like Amy. She's a great character. The love she feels for Baby is amazing. Sure, sometimes it makes her a little too single-minded, but it's a good and realistic flaw. I also really like that she talks about how she really broke down in the beginning, but ended up pulling it together and not only taking care of herself, but a toddler as well. When she and Baby are taken to New Hope, she's always wary, but wants to believe in it. I like that, unlike a lot of post-apoc and dystopian MCs she stays alert, but also really wants to believe she's found a home and a new life. Really, a lot of characters deserve a shout-out because Demitria did a great job at giving the side characters personality, but I want to focus on Baby. I was a little how much I'd enjoy a book with such a young character playing a major role, but I loved her. First of all, the synopsis led me to believe Amy was going to be packing around this squealing, drooling baby in the post-apocalypse, but Baby's actually somewhere around 6. So instead of just being this weird extension of Amy, she has her own personality. She loves Amy fiercely, and relies on her, but she can also take care of herself. I mean, Amy didn't even find her until about a year, or something like that, into the After. This tiny kid managed to live with carnivorous monsters on the loose all by herself. That's pretty freaking awesome. I like that the end of the story brought just enough answers that I was satisfied, but left plenty of loose ends which gives me hope for the sequel. And it seems Demitria isn't afraid to kill of characters, so I nervously look forward to her stomping all over my heart in the future (makes me sound like a masochist, but we all know death of favorite characters makes for a good story.) The Nutshell: In the After was everything I want in a apocalypse/post-apoc/dystopian book. There's some alien action, some evil humans (or at least one really evil one), just the beginnings of a romance so it wasn't all used up in book 1 leaving book 2 out in the cold, plenty of suspense, and, you know, quite a lot of death, albeit most of it anonymous. Direct Hit

2019-07-31 10:40

Kaydırılan Araçlar Şekillerle Oynayalım TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Parıltı Yayınları

Este libro es el regreso a las historias reales de la posguerra que contaron en voz baja narradores que no querían contar cuentos sino hablar de sus amigos, de sus familiares desaparecidos, de ausencias irreparables. Son historías de los tiempos del silencio, cuando daba miedo que alguien supiera que sabías. Cuatro historias, sutilmente engarzadas entre sí, contadas desde el mismo lenguaje pero con los estilos propios de narradores distintos que van perfilando la verdadera protagonista de esta narración: la derrota. Un capitán del ejército de Franco que, el mismo día de la Victoria, renuncia a ganar la guerra; un niño poeta que huye asustado con su compañera niña embarazada y vive una historia vertiginosa de madurez y muerte en el breve plazo de unos meses; un preso en la cárcel de Porlier que se níega a vivir en la impostura para que el verdugo pueda ser calificado de verdugo; por último, un diácono rijoso que enmascara su lascivia tras el fascismo apostólico que reclama la sangre purificadora del vencido. Todo lo que se narra en este libro es verdad, pero nada de lo que se cuenta es cierto, porque la certidumbre necesita aquiescencia y la aquiescencia necesita la estadística. Fueron tantos los horrores que, al final, todos los miedos, todos los sufrimientos, todos los dramas, sólo tienen en común una cosa: los muertos. Pero los muertos de nuestra posguerra ya están resueltos en cifras oficiales, aunque ya es hora de que empecemos a recordar lo que sabemos. Éste es el primer ajuste de cuentas de Alberto Méndez con su memoria y lo hace emboscado en un flagrante intento de hacerlo desde la literatura.

Okuyucu Anima Design itibaren Walbrzych, Poland

Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.