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Tarafından yazılmış kitap Tarafından: Agora Kitaplığı
So far this is a really great book for people our age and younger. It shows the way that most people predict that school will be like. Although, at my school, we didn't have anyone like Nicholas.
Tarafından yazılmış kitap Tarafından: Damla Eğitim
Probably his best book that I've read. I still laugh til I cry just thinking about the bathroom scene in this book.
Tarafından yazılmış kitap Tarafından: Gibson
I read this once in high school and again in college, and its dark, ironic humor underlying such tragedy just ripped my heart out both times. An excellent statement of why we should never forget this war and its repercussions, no matter how far away it gets or how much we'd like to gloss it over.
Tarafından yazılmış kitap Tarafından: Beşir Kitabevi
Wow. Quit reading this review and go read this book. For reals.
Tarafından yazılmış kitap Tarafından:
My favourite book of all the four! I was so sad to see it end! This is definitely something I will recommend to my younger cousins and kids in the future! hahaha
Tarafından yazılmış kitap Tarafından: Alfa Yayınları
This book had it all, and I couldn't put it down. Franny is a great character, loved him. I read until 3am, to finish this book. Then end will having your cheering then crying. You need to read this book.
Tarafından yazılmış kitap Tarafından: Editör Yayınları
read in 2002.
Tarafından yazılmış kitap Tarafından: Pegasus
Historical mysteries and I should go together like cake and ice cream. I'm a history fanatic and I absolutely love seeing the past brought to life. However, sometimes historical fiction writers can use a little spice in their plot, and what better way to do that than add some mystery? So about a year ago I started reading historical mysteries expecting to love them. And then was perplexed to find that over and over again, I didn't like them. Sometimes they were flat out awful (a la, Mistress of the Art of Death and Silent in the Grave). More often, they were generally good for the history but completely fell apart in the mystery department (a la, The Interpretation of Murder and The Alienist). But I KNEW that if I kept trying, I would eventually find a historical mystery I loved. For a while I feared that this was crazy, and then I stumbled across this book and glory, glory hallelujah I proved that my hopes weren't completely unfounded! I liked the history. I liked the characters. I liked the plot. I liked the mystery. I liked the entire book. It was, however, not perfect. This was a debut novel, and it felt it in places. Mostly, the pacing was off. There are two main plotlines. The first (and by far the best) centers around the reclusive natural philosopher Mr. Crowther and the assertive captain's wife Mrs. Westerman. A dead body shows up on Mrs. Westerman's country estate and she recruits Mr. Crowther to examine the body and they end up solving the murder together. The other plot takes place in London, where young Susan Adams' father is murdered. It follows Susan, her little brother and their new guardian, Mr. Graves, as they try to figure out why Mr. Adams was killed and escape getting killed themselves. Don't get me wrong, I liked Susan and Mr. Graves and the other London characters. But what I was really interested in was the Crowther/Westerman (Sussex county) plotline. The London murder was done by the same person who pulled the strings in the Sussex murder(s) and for the same reasons. It would've actually made very little difference to the Sussex plot if the action in London was never shown. And to me, it felt like every time it switched over to London I got aggravated and wanted to switch back to Sussex. Again not because there was anything wrong with the London characters/plot themselves. In fact, the history aspects and views of 1780 London were excellent; I enjoyed that the Gordon Riots (anti-Catholic uprising) were woven in. It really didn't help that it would switch back and forth between the Sussex and London plots within the same chapter with no warning. So I would have to read several sentences to figure out who was talking/if I was supposed to be in London or in Sussex, which annoyed me. It would have been much improved if each storyline was confined to its own chapter with an appropriate chapter heading. There was also actually a third plotline that should've definitely been cut. This plotline involved flashbacks to alcoholic young heir/murder suspect Hugh Thornleigh's time as a British officer in the American Revolution. Again, the history was brilliantly done. Unfortunately, the plot was irrelevant and just took away from the main (Sussex) plot. It provided no new/important information. It does give the reader a glimpse into Hugh before he became the drunken mess he is in the "current" time. It also reveals some Thornleigh secrets before they come to light in the main plot, but since they were going to be revealed anyway, it's unnecessary to have an entire subplot. And as long as I'm complaining, the villains are ridiculous. I said I liked the mystery, and I do, but the villains were incredibly one-note with either no motivation or some quickie tough-childhood made me evilz lameness thrown in. Plus, they did the whole "You found me out! Now I'm going to go batshit crazy instead of being the stone cold badass I have been up to now!" It was a bit overwrought, but it did not completely fall apart like the other historical mysteries where I felt the mystery part just went to hell in the end. And now despite the fact I gave this book 5-stars (and strongly stand by that) I have managed to do almost nothing but critique it. I nitpick out of love, I swear. There's a lot to love in this book. As I've pointed out, Robertson is incredibly talented in the historical fiction department, managing to breathe life into the past without coming on too strong with the anachronisms. I mean, I'm sure there are anachronisms and such, but nothing noticeable to me (and 18th c. England is my favorite history period, so I've read quite a bit about this time). And Mrs. Westerman is certainly quite independent but not in I Act Like A Twenty First Century Woman In A Corset way. She is worried about her (and her family's) reputation and for the most part acts like a lady, albeit a crime-fighting one. And, now, why I REALLY love this book: Mr. Crowther. He is sarcastic and aloof and secretive (with a past like his, you would be too) but desperately wants to connect with others, even when he contemplates how nice it would be to retreat to his house and return to his hermit status. Apparently he is supposed to be nearly 50, but Robertson failed to tell me this until halfway through the book and it was TOO LATE. Sometimes I get so wrapped up in a character that I make up details and when an author tries to contradict me I just ignore her and keep believing what I want. This probably makes me a Bad Reader, but it does make me a Happy Camper. And in MY mind, Mr. Crowther is in his late 30s, so there. I want him to be younger partly because in my mind he is played by Benedict Cumberbatch (Sherlock in the new BBC production...not much to look at until you've seen Sherlock and then, if you're me, you become OBSESSED and rent everything he's ever been in. Ahem). And partly because I think Mr. Crowther and Mrs. Westerman will get together in the future. This is based on nothing but the fact that Westerman/Crowther make an awesome crime fighting duo and I think it would be awesome if they got married. Unfortunately, first Mr. Westerman has to die, but the sea is dangerous, y'know? (I'm sorry Mr. Westerman, you seem like a perfectly nice man. I am a horrible person.) In conclusion, this is the book that made me believe in historical mysteries again. Can't wait to read the sequels.
Tarafından yazılmış kitap Tarafından: Kırmızı Yayınları
I want to read this one again, but in order with the series ;-)
Tarafından yazılmış kitap Tarafından: Nemesis Kitap
I already read this a while ago but I'm re-reading now after liking "The Wonder Spot" so much.
Tarafından yazılmış kitap Tarafından: Nesil Yayınları
Bu kitap, 19. yüzyılda Çin'de yaşayan kızlar için hayatın nasıl olduğuna dair çekici bir bakış. Anlatıcı Lily, Snow Flower adında bir loatong'a sahip, yani ömür boyu arkadaş olacak şekilde kuruldu. 6 yaşında buluşurlar ve kitap ömür boyu yolculuklarını takip eder. Ayak bağlama, evlilik, savaş ve sevdiklerinin ölümü gibi birçok şeyi birlikte yaşarlar. Birbirlerine sadece kadınların bildiği gizli bir dilde yazıyorlar. Bu kitabı kesinlikle çok sevdim. Açıklayıcı ve güzel yazılmış, kendimi bu kızları gerçekten önemsiyorum buldum. O zamanlar kadınlar için yaşam çok baskıcıydı, ancak her şey hayal kırıklığı ve hayal kırıklığı ve dehşeti onur ve zarafetle ele almaları bekleniyordu. Yaşamının kontrolünde olmadığını hissetmesine rağmen, Lily oldukça güçlü bir karakter. Bazen sorun yaşadığım tek şey karakterlerle özdeşleşmekti. Onlar değersiz ve korkunç olduklarına inanmak için yetiştirilirler ve oğul üretemezlerse fahişe olarak satılabilirler. Hayatımda bir kadın olarak değer, güç ve güvene sahip olduğumu hissediyorum ve kendim hakkında bu kadar olumsuz hissettiğimizi hayal edemiyorum. Elbette bu kitabı kadınlara tavsiye ederim ama bence okuyan herkes onun sokması, farklı karakterleri ve kültürel ilgisi için bundan zevk alacaktır.
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