Sorular ve Cevaplar Yıldızlar ve Gezegenler - Robin Kerrod kitap ücretsiz indir pdf

Alvaro Gómez alvaro911 — One of the books they made us read in film school way back when was Christopher Vogler's book THE WRITER'S JOURNEY: MYTHIC STRUCTURE FOR WRITERS. Vogler has come out with a third edition, so I thought I'd take a read. Vogler is coming at story structure out of the Joseph Campbell HERO WITH A THOUSAND FACES tradition. Campbell theorized that hero stories have a similar structure across all human cultures, and that there are archetypes that we always see in them: the refusal of the call, the mentor, the inmost cave, etc. Vogler attempts to relate Campbell's character archetypes to successful movies. Who is the Shadow? Who is the Shapeshifter? Who is the Mentor? He also outlines a basic structure for the story: 1. Ordinary World 2. Call to Adventure 3. Refusal of the Call 4. Meeting with the Mentor 5. Crossing the First Threshold 6. Tests, Allies, Enemies 7. Approach to the Inmost Cave 8. Ordeal 9. Reward 10. The Road Back 11. Resurrection 12. Return with the Elixir When you try to apply this formula to some movies, it works quite well, e.g. STAR WARS. Bear in mind, though, these often seem to be movies written by writers who are consciously trying to apply Joseph Campbell to screenwriting, as George Lucas was. Back in film school, I tried a bunch of times to relate these steps to stories I was trying to tell, and I had trouble telling what step I was supposed to be on. Lisa pointed out that many of the steps applied to the series I'm working on (Natural World, Refusal of the Call) but later on it gets difficult to say which part is "The Road Back" and which is "Return with the Elixir". When Vogler tries to fit stories that aren't intended to be epic hero tales into his formula, the results aren't so neat. It can feel like he's shoehorning the facts into the theory, as when he looks at PULP FICTION. No "Shapeshifter" character? Claim that Vincent Vega and Mia's dance moves "reflect the SHAPESHIFTER archetype, as they try out various masks and identies in the APPROACH to love" (p. 275). Uh huh. I'm not a big fan of formula, myself. I'm agnostic about Blake Snyder's formula (see my earlier post on SAVE THE CAT!) because I can see how it might work. My problem with Vogler is that while it is an interesting way to look at movies, and to understand what they're doing for the audience, I don't see how it helps me write one. It looks like a way to analyze what is going on in a movie, rather than a way to write a movie. I should note that Christopher Vogler is not a professional writer, but a professional story analyst (if I understand his resume right). He shares credit on one German movie. Mostly, my impression is, he works with writers that the studio feels could use someone with a deeper understanding of story structure. In that case I would imagine that his approach, actually applied by him, might work. But if you want a mythic perspective on screenwriting -- and how it fits into the grand epic tradition of storytelling -- then you might well check out THE WRITER'S JOURNEY.

Caitlin Sciscoe csphotoimaging — Ottima saga, riprende le avventure dei personaggi del ciclo di Belgariad ed introduce nuovi personaggi. Scorrevole e divertente. Alcune volte un po' discontinuo, soprattutto agli inizi dove il tempo passa molto velocemente. Imperdibile per chi ha già letto il ciclo di Belgariad.

Heba Allah hebaallah1 — Book Basics Title: Elijah’s Coin Author: Steve O’Brien Published February 1st 2009 by A & N Publishing Format Read: Copy for review from The Cadence Group Number of pages: 128 Summary From Goodreads: In every heart there exists the potential for good and for evil. The question is which we'll choose. Without the right principles and guidance, a traumatic experience can lead one down a barren path. If our view of the world is dark, then further experience will tend to reinforce that view, leading to more pessimism and fruitless or even destructive behavior. How does one break out of this cycle of negativity? That question is at the heart of Elijah's Coin, a thoughtful fable about one young man's descent into a life of crime... until he discovers an unlikely mentor, who begins to teach him a new philosophy of life. It's a philosophy not so much of words as of deeds. The lessons, therefore, prove to be indirect and not fully understood until they are lived. The point is not to state what you believe but to become what you believe. In doing so, you will come to lead a fulfilling and prosperous life. You'll find that life is not about you but about others and that generosity is repaid in kind. Elijah's Coin asks readers to reflect even as they are entertained by a fast-moving, suspenseful story. Ultimately, the book confronts the reader with the possibility — and the opportunity - of inner change. Learn the message, then pay it forward. What made me keep turning the page? • The thought provoking message • They mystery of who Elijah was • The desire to see if this was a happily ever after • To find out what the lesson was • To see what the abbreviations on the coin meant Any complaints? • Some of the story did seem too good to be true… Final Thoughts… This book had a pay it forward message with a different twist. There was an element of mystery throughout the story that I enjoyed. Not only is it a feel good story, it really makes you think about how you live your life, and how you treat people, and the motivation behind the things you do. This wasn’t an edge of your seat, stay up till dawn type of read, but it is a book everyone should read. As an added bonus, there are two coins attached in the back of the book, which will remind you to live life the way Elijah taught (part of the fun of the book is discovering this lesson as you read, so I don’t want to give it away).