Jeopolitik-Alexandre Defay kitap serbest oDF biçim

Vmc Entretenimentos agropecuarc92f — This book is amazing. The story itself is crazy. It's about the author who grew up with a poor family who was always moving and just getting by. It is very heartfelt and shocking. The way it was written goes perfectly with the story and makes you feel like you were actually there. This story will make you think about a lot of things, especially if you live in New York City which has a high rate of poverty and homelessness. It gives you a new perspective on things.

Sophy Yoon _ophy_oon — For me, reading a play is kind of ”one man performance”, and totally different experience comparing to the very same play’s performance at theatre or in film form. I consider them as three different versions of one story. گفتن از شکسپیر و آثارش به تابو می ماند. کمتر کسی شهامت دارد بگوید از این یا آن اثر شکسپیر، خوشش نمی آید. یا عیب و ایرادی بر یکی از آثار او بگیرد. این واویلا بیشتر می شود وقتی انگلیسی، زبان دوم یا سومت باشد، و با ادبیات و زبان کهنه ی انگلیسی قرن شانزدهم بکلی بیگانه باشی! بهررو، منی که شکسپیر را اکثرن به زبان فارسی خوانده ام، و برخی از آثارش را در تیاتر و سینما به زبان های دیگر دیده ام، شهامت ابراز نظر ندارم. این که آثاری نظیر مکبث، تاجر ونیزی، شاه لیر، طوفان و... را بیشتر دوست داشته ام تا مثلن رومئو و ژولیت، یا رام کردن زن سرکش را، صرفن یک سلیقه ی شخصی ست. گرفتاری دیگرم آن است که هر بار اجرایی از یکی از آثار شکسپیر را دیده ام، هرچه در ذهن داشته ام، فروریخته، چرا که هر کارگردان تیاتر یا سینما، یا هر بازیگری آن را به شکلی نشان داده یا بازی کرده است، گاه بکلی متفاوت با اجرای قبلی یا بعدی. مثلن تمامی اجراهای "لارنس اولیویه" از شکسپیر، یا مجموعه ی تله ویزیونی بی بی سی و کمپانی شکسپیر، که روی دی وی دی هم موجود است، کارهایی ست درخشان با بازیگران و کارگردانانی همه شکسپیر شناس. به عنوان مثال "ریچارد سوم" با اجرای "لارنس اولیویه" بکلی قضاوتم را در مورد این نمایش نامه، در هم ریخت. با این همه دیدن هملت در چهار اجرای متفاوت، "لارنس اولیویه"، "کوزنتسف" (کارگردان و شکسپیرشناس روسی)، یا اجرای شگفت "درک جاکوبی"، و بالاخره هملت "کنت برانا"، آدم را در انتخاب، سر درگم می کند! غیر از اینها، آنچه در طول سال ها در ذهنم باقی مانده، دو اجرای شگفت "فرانکو زفیرلی" از "رام کردن زن سرکش" (با بازی "ریچارد برتون" و "الیزابت تیلور") و زیباترین "رومئو و ژولیت"ی که در عمرم دیده ام از "فرانکو زفیرلی"، یا اتللوی "اورسون ولز"، اتللوی "سر گئی باندارچوک"، و البته اتللوی "لارنس اولیویه"، یا هملت با بازی "ریچارد برتون"، هملت با بازی "کریستوفر پلامر"، هملت با بازی "درک جاکوبی"، و هملت با بازی "لارنس اولیویه" با همه ی کهنگی هم چنان درخشان اند. و فراموش نکنم عظیم ترین اجرای "شاه لیر" با بازی لارنس اولیویه را و ... اگر بهر کدام آثار شکسپیر فکر کنم، و اجراهای شگفتی که از آنها دیده ام... The only film version of Coriolanus I’ve seen is a UK production (2012) with Ralph Fiennes as Coriolanus, Gerard Butler as Tullus Aufidius, Vanessa Redgrave as Volumnia and Brian Cox as Menenius

Nishant Doshi nishantd — The only reason I picked If I Stay off of the library shelf was because I heard an enormous amount of buzz surrounding it. That seems to be a habit for me lately. Anyway, I really didn't know much about the book. I had a very vague idea what it was about, which I'm glad, because if I would gave read the synopsis or something, I probably would not have checked it out. Reading the synopsis now, I realize that it doesn't sound like my personal cup of tea. Therefore, I was taken on a stunning adventure with this book that exceeded all of my expectations, which rarely happens when books are built by the hype. Get ready for a gush-fest, because when it comes to good books, I've been known to gush with the best of them. If I Stay was one of those books that grabbed me from the very first page and held me like an unshakable vise. I think I may have set a new world record on how fast it is possible to turn pages! I read this book in one sitting, afraid that if I put it down it would magically dissolve or something. I had to go to bed after finishing it last night, but I wasn't worried about writing the review, because I was certain that this story was going to remain inprinted in my mind for weeks to come. The plot was original. The idea that Mia gets to make the choice whether to live or die seems rather hard to pull of to me. There were so many directions it could have gone. It could have been totally unrealistic or annoying, or so many other bad adjectives. Instead, it was tear-jerking, heart-wrenching, and just plain gorgeous. I felt Mia's pain, I cried for her. At first it did seem a little silly, because if you could choose to stay in the world or go, why wouldn't you want to stay? But Mia's got reasons. Tons of them. And the fact that she wants to go becomes completely understandable, and a part of me wanted her to go, just so she didn't have to deal with everything that was going on around her. Of course, I really really really wanted her to stay. Mia's narration of the story is perfect. There's a noticeable tinge of nostalgia, darkness, insecurity, longing...you name it. She was just a delight to read about. This book is told a lot through memories, which is a style that I have always loved. This is only the second separate book series that I've read that is like that, and I loved it just as much! There is a beautiful romance in this book (once again, mostly told in memories, but the parts that are happening in the present are, well, beautiful) but not an overwhelming amount. Adam is sexy and sweet and wonderful, and I am so excited that the sequel, Where She Went, is told in his point of view. This book is one of my new favorites, and I'm not even going to add a "Reasons I Liked It" section, because I cannot pick out individual reasons. The prose was breath-taking, heart-breaking, and pure magic. I loved absolutely every aspect! You can see this review and many more on my blog BookBreather.