İleri C Programlama - G. Murat Taşbaşı itibaren Altaş Yayıncılık içinde LIT biçim

Aditi Malu aditimalu1175a — The first book that really cemented my love for Harry.

Adjie Tvz adjiebasin7444 — This book defined all my feelings about the world when I was 16 years old. There is no question why this book is a classic and remains so relevant to this day. This book should be required reading for every high school student. Having first read it in high school, and as I reread it through out the years I find myself more distant from those initial misanthropic feelings Holden Caulfield (the protagonist) describes, maybe the hormones have simmered down... who knows. Anyway, great book, it is still in my top ten!

Tayná Vital symphir — ** spoiler alert ** It was a good book.... but. This book continues on pretty much from where the first one finished up. But it just didn't make as much impact on me as the original. Like the first book, you get a lot of action and parallel storylines for your money. And in that regard, Larsson is to be commended. A lesser author might have split these stories across more books - but Stieg doesn't hold back. I felt the first book was like having two thrillers rolled in to one. This one however was just lacking something which didn't make for as compelling a story. Yes, we have a triple murder that everyone suggests Salander is responsible for. But a good portion of the book is from everyone else's perspective investigating the murders. The reader is pretty sure that Salander didn't commit the crimes so this portion of the book seems a bit of a waste as we ultimately know they're going to find out she didn't do it and start investigating the proper crime. I like the Salander character and this provided all the crucial background to her motivations and origins. I also like the scene in the caribbean where she kicked a guy into a hurricane. She's pretty bad ass. I like the Blomkvist too. He's a good character aswell. When he's not getting tail he's solving the mysteries, working the clues the hard way. The main problem i found with this book is that it's just too complicated. I found the story hard to follow. Even after having finished it a couple of days and having tried to explain it to people, i'm not entirely sure what specific set of events led to the murders. I also failed to appreciate that the giant hitman character is the same character as the drug dealer from the start. it's complicated. i found myself turning back and forth quite a lot to keep on top of the characters and the different relationships and histories. Overall, a good solid thriller that really does have an amazing climactic ending. Salander is a great character and the book is very well written. Worth a read if just because it builds on the characters from the first book.

Christian Tabotabo _abotabo — SPIDER VEIN IMPASTO (Blood Pudding Press) introduces a new edition with this handsomely delicious designed and curated collection of poetry by some of our most interesting new poets. The reasons for the choice of included poets can best be understood by Juliet Cook, a prolific and very fine poet whose penchant for finding strange and bizarre subject matter is evidenced in her own work and seeps into the colorful binding of this collection. The book is ‘bound’ by colorful ribbon(s) tied along the spine of a cover bearing the artwork ‘Europa’ by Dan Ruhrmanty, an artist whose fluid, quasi- focused imagery and color-weaving alerts the reader to the pleasures or confections within. Pasted on this cover, front and back, are stickers bearing phrases and images such as ‘Baked FRESH”, ‘SLICED”, ‘BUTTER” and ‘Filled’ - each an indicator of Juliet Cook’s seductively manic selection of poets and poems. The book has the appearance of a Limited Edition artwork, and it may well become that! The poets whose works are included are Adam Fieled, Juliet Cook, Andrew Lundwall, Aunia Kahn, Brooklyn Copeland, Candice Rice, Cheryl Townsend, Gina Abelkop, Jenny Sadre-Orafai, John Rocco, Letizia Merello, Melissa Culbertson, Nathan Logan, Nicole Cartwright Denison, Peg Duthie, Sharon Zetter, Susan Slaviero and Suzanne Savikas: each of these fine poets deserves an excerpt in a review but a flavor can be tasted from a few examples. Melissa Culbertson offers a four-part poem entitled Christian Bale Stars in a Biopic About My Ex-Boyfriend, rich with ramblings and fantasies. Letizia Merello is represented by six poems, alternating English with Italian ‘songs’ that dance with a touch a lurid madness. Susan Slaviero’s Robosexual reads: The unwritten eggs beneath her veil, aluminum legbones, a locust husk, the embroidery of her threaded tongue. I allow for flux, fissure, for saints kneeling on upturned spoons. This scene is about design. Later, under girl-cheek moons, she drizzles spittle on a man’s abdomen. The poppies on her helmet disguise starlike dents, a row of rivets. Wake up and bend in unexpected ways. A needle is warmed in the glimmer of a kitchen match. You might be lulled by the cut of her jaw, the unwinding of her limbs. You might be hooked on rubber dolls. You might be licking your own reflection.’ Adam Fieled offers the following jewel Gun and Knife (after J. Tranter) “Please, I’m begging you – don’t do it at 3 a.m., when I’m sleeping, but rather at high noon, in a public square, so that everyone can see a thousand rosy rivulets run like waterfalls away from my innards. A sawed-off shotgun, please, fed to me like cornbread, what I know Is really best, no need for a spoon, just shove it in. Then, when my brain dots & streaks several unready awnings, the knife, have it be long, terrible as angels dancing & as merciless, plunge it deeper, deeper, so that I feel my aorta being severed, really feel it, how shockingly irrevocable, just like that, so that literal nothingness becomes my only reality, which it already is, which is why I’m begging you, please, please.” This kaleidoscopic collection is filled with excellent work such as these two poems suggest. It is refreshing to observe the rise of the chapbook not only filling the need for continued printed publication of fresh new work, but taking the love and attention of editors such as Juliet Cook to present solid poetry in such a colorful and creative edition. Grady Harp