Evrensel M. Ömer Can Keman Eğitimi Metodu 3 itibaren Evrensel M. içinde LIT biçim

Nina Castellano _ina_ast — çok eğitici oldu !!!! herkese tavsiye ederim

Thanh Tươi thanhlanhchanh — Surprisingly accessible considering how specialised a topic this is. Bradley's book is a fairly thorough examination of slavery at Rome, including the functions slaves fulfilled, the sources from which the Romans got their slaves and discussion of the ethical position of slaves in Roman society, among other things. A lot of information is delivered in the relatively short space of this book, but despite this Bradley manages to keep things interesting and fresh. The scope of the book, however, is very broad, and as a result Bradley has made a lot of generalises statements that will not necessarily hold true if you intend to study slavery in a particular period of Roman history. All in all this is a good basic work to use as a spring-board for focussed study, yet still informative enough to be of great use to those who are merely casually interested.

Higor érick hgrtime68c9 — Riordan has found a magic formula indeed: translate the old gods into the 21st century, wreak havoc of various kinds, mundane and magical, bring the world to the edge of the brink, and the young heroes, in this case, Carter and Sadie Kane (met previously in The Red Pyramid, Book 1 of the Kane Chronicles) and various friends (who are recruited from the masses for their powers, treated in a sort of hidden place), save us in an amazingly short time, usually with minutes to spare. Plus suffer teenaged angst. Or put it this way: "And now their most threatening enemy yet--the Chaos snake, Apophis--is rising. If they don't prevent him from breaking free in a few days' time, the world will end. In other words, it's a typical week for the Kane family." The smartass humor works, as do the smartass heroes. Carter is the more serious and nerdy of the two; Sadie, the cooler. Both are powerful magicians, from a long line of magicians going back to the House of Life in Ancient Egypt. They are also teenagers, with all the self-doubts and worries and emotional turmoil that implies, including first love--with a twist. Carter falls in love (in Book 1) with a girl who turns out to be an animated clay copy of the real thing. Sadie has a crush on Anubis, the god of funerals and death, who takes the form of a "teen boy with dark, windblown hair and warm brown eyes. He wore a black Dead Weather T-shirt and black jeans that fit him extremely well (108)." The family cat turns out to be Bast, the cat-goddess. Carter and Sadie--and crew, divine and mortal, are engaging, and the pacing works: the race to save everything in a few days' time. The target audience--adolescents--will recognize themselves, I think. And, they will learn something about Egyptian mythology. Riorda has done his homework, as he did in his successful Percy Jackson series with the Olympians and Greek mythology, and Roman mythology in The Lost Hero (book 1 of another series underway, the Heroes of Olympus). It's a page turner; I had fun. I am sure Book 3 is on the way--and I am looking forward to it.