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Kashmira S _ashmira_hreeram — I adore this book, and I absolutely love the characters of Aral Vorkosigan and Cornelia Naismith. I had read McMaster Bujold's fantasy books before, and adored them (the Chalion books), but I was afraid of her space opera after I ran amok of her Sharing Knife book (I hated it with a passion). I'm so glad her space opera/romance is so wonderful! The writing is tight, the characters are wonderful and there is enough action and plot to keep anyone happy.

David Roura davidroura — In a beautiful allegory of human duality, Vonnegut presents us with a character wavering on two worlds: pre-WWII and post-war; good and evil; certainty and ambiguity; past and present; life and death. As an American spy during the war, the main character is now faced with the ambivalence of whether he helped the Allies more than Germany, and if his civic responsibility was anything more than self-serving. Vonnegut delves deep into the psychological repercussions of ethical decisions, and society's recognition (or lack thereof) of an individual's morality. Gutwrenching and beautiful at the same time, every character is both a hero and villain in his or her own right, and every scene will leave you questioning where you stand in a world of double standards. Worth a read for anyone who feels any bit of sentimentalism toward individual or group ideologies.

Viki Odriozola viki_odrioca14 — This book suprised me. At first I wasn't sure a book about comic book writers was something I was going to enjoy, but it was touching, funny, and completely involving. The characters were amazing, and I found myself really caring about them. Sometimes Chabon's style can take awhile to get used to, but I learned to appreciate the wit and style quickly. Kavalier and Clay won the Pulitzer prize, and I was absolutely unable to put it down. One of those books you really slow down reading towards the end because you never want it to be over. It became one of my favorite books I've read in years and years, probably one of my top ever. I can't say enough about this book, I loved it. I stole a copy of this book from my college roommate, and I'm fairly sure she's not getting it back.

Javier Maza jamazaf81e — This book is not a spectacular read. Its plot would be unsustainable were it not for George Eliot's piercingly brilliant insights into human nature, which hang extraneously on its uneventful narrative. Unlike Middlemarch, the web of characters in this novel is perfunctory, and altogether rather unsympathetic and uninteresting. Although you witness the long lives of the characters, you never feel as if you have aged with them as you do in her later novels. The ending is a bit like the ending of Scarface -- either you love it and it redeems the work, or you hate it and the work fails. I'm in the former camp, as I didn't mind the deus ex machina as much as some other people seem to. I saw it not as Eliot facilely giving up on an irretrievable plot, but more like the analogous biblical event, with Eliot as the God of her characters (intentionally vague to avoid spoiling it). If you loved Middlemarch it's worth a look, but I was a little disappointed. I still have a great respect for George Eliot's dazzling prose, but the story isn't great in this case.

Alexa Huang hellodesignerd — Another childhood favorite. We visited Maine after we read this book. I couldn't have asked for a better guide!