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Sebastian Ocampo juseocro — I liked this book... It is neat for me to step into someone else's shoes... especially when the shoes I am "trying on" are so far from any reality that I would ever be a part of. I am sure there are better books about this topic out there, but I did enjoy it.

Julia Hylton jnq_22 — The two stories in this book reminded me too much of Emily Giffin's "Something Borrowed" which I was not overly excited about. The four characters (brother, sister, sister's best friend, best friend's crush) really annoyed me. For individuals who were supposed to be intelligent, responsible, educated, etc., as well as not being adults(ages ranged between 29 and 31/32), they really acted childish and immature. I really wanted to like the book more, but the characters' personalities kind of ruined it for me.

Marina Ballester marinaballester — My Dad gave me this book the very first day I moved into college. I think he did this because he knew how nervous I would be. Yeah he was correct... I had a very rought A & B term my Freshman year with adjusting to WPI.

Resad555 Resad555 _esad5551ad9 — I picked up this book on a whim, having seen it while browsing amazon. I'm always on the lookout for writing that might relate to my art - in particularly, the relationship between art, memory, and space, my recent obsession. Casey's book tries to put forth a comprehensive view of the way in which landscape painting and maps deal with issues of space, but fails to develop it into any kind of full-fledged theory. Ultimately, the main benefit of the book was introducing me to a number of landscape artists that I wasn't familiar with, and reminding that I need to spend a lot more time looking at the Hudson River School painters (particularly, my old favorite Church).