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Ramazan Uranli ramazanuranli — Like The Female Man, this falls in the category of "feminist speculative fiction that I really wanted to love, but didn't." The main character, Keelie, is created out of the body parts of three different dead women. She leaves the house of her creator, Victor, and goes off to find herself. Promising premise, but I wish the quest had involved more actual adventures and fewer dream journeys into history where characters share names/identities with characters from the present without necessarily having the same personalities or roles to play. I wasn't keen on Antieu's choppy writing style, and the messages were often anvilicious. (Also, minor spoiler here, all the joyous sacred menstruation in the section set in the idealistic prehistoric matriarchy made me roll my eyes. I don't think it's purely a patriarchal construct that bleeding and cramps are unpleasant.) Still, despite all my criticisms, Keelie's emotional journey was effective and moving. I appreciated that while the male characters occasionally did terrible things (consciously or just taking for granted their role in the patriarchy), only one is presented as truly irredeemable and ugly to the core. The female characters are the core of the novel, and seeing multiple female characters who aren't just competing over a man is always welcome in SF.