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Demian Montefalco demian1030 — 3.5 out of 5 stars

Pekka Front pekkafront — I really loved this simple little book. I felt such a kindred relationship with Agnes. I feel like she wrote my inner most thoughts. There's nothing really remarkable about the book, but I think that's what makes it so remarkable to me.:)

Md Arif mrarifmahmc24d — i liked this book better than i thought i would.. but i often got lost in the imagery..

Katrina Nebel kudoku21c9 — Note: If I could fashion a little half-star and put it in the rating, I would give this book at 3.5. Miranda July: she's the lightning-rod hipster conversation of the year. I say her name at dinners and people rise from their chairs to damn or bless her. They pace and sweat and expound upon why she is the worst/best thing to happen to fiction in eons. They yell: "She's the next Lorrie Moore!" or "She's like those people who try to imitate Lorrie Moore and miss what's really good about her!" Sometimes they've actually read one of her stories or seen her movie, but sometimes they just resent her fame or adore her blog. In the bookstore, the yellow or pink jacketed hardcover book of short stories (yes, I said hardcover) beams from the bookshelf. It says, "I have no cover design. I need no cover design. And yes, my author photo went shopping at Anthropologie, then shunned all human contact (or staged this elaborate ruse)." I bought the yellow book. I was simultaneously suspicious and curious. And I STILL AM, despite having finished it. Here's the thing: Miranda July is an immensely talented writer. I want to make out with her imagination. Some of the stories ("Something That Needs Nothing," "Birthmark," "Mon Plaisir") in this collection are fabulously weird and lovely and offbeat -- and they take you to surprising emotional places. Others, however, feel a bit overwritten and unfinished. I admire her authority, but sometimes it comes across as vanity, and I get squirmy when I think an author relishes her own prose or ideas too much (takes one to know one). The things that leave me cold in July's work are the very things I worry about in my own, so this is a very personal critique. Lately, when magazines turn down my fiction, they praise my prose and voice and characters -- but they don't buy the endings or feel there is enough closure, etc., etc., so I want to know how she can fool them all and I can't? The truth is, I *loved* some of these stories. The last in the book -- "How to Tell Stories to Children" -- I would even give five stars to. But I feel let down by selections like "Making Love in 2003" and "The Boy from Lam Kien," which read like a bunch of "good line - no home" fragments pieced together. And stories like "The Shared Patio" and "The Swim Team" (the latter of which people go all kinds of crazy for) feel unsatisfyingly incomplete -- they set something up but don't go places with it. Nothing shifts. Saying this makes me feel conventional, but when I read, I want to feel *something* or be supremely aware of its absence. In these stories, July swears it's there, but it's not always. Also, I'm tiring of madwomen -- in her fiction, in my fiction, in everyone's fiction. OK, fine, I love them, but I also wonder what we're not dealing with or what kind of shortcut this is or if we think only nutjobs speak-think magical prose. "Ten True Things" and "Something That Needs Nothing" reminded me so much of my own stories (thematically and prose-ishly) that it was almost hard to read them. I felt like she was showing me everything that's glorious and horrible in my own work...everything was magnified. [Apologies to anyone who has read this far for all presumptuous, conceited, self-centered, self-analytical, self-serving comparisons above. I seek unprofessional help from anyone who wants to comment.:]

Netizens Dih netizens — This book is brutal and true, even darker than the usual Lynda Barry fare which already borders on chilling. Cruddy is simply soaked in grotesque, overpowering dread and fully embodies the horror genre in a way that makes Anne Rice look like AA Milne. I recommend reading it when somebody else is around in case you're freaked afterwards.