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Leone Fernando le01 — Alissa Nutting is such a wildly gifted & inventive storyteller, it's hard not to keep popping down the tales in this collection one after the other like candy, like a bag of gumdrops that feel deceptively easy to chew but are actually laced with a powerful hallucinogenic substance that turns into an elixir of pithy insight at the last possible moment. I felt almost guilty about how much I was enjoying myself at times. Nutting's narrative style is rapid-fire, economical, and surreally recognizable, as ingeniously weird as Charlie Kaufman, as widkedly outrageous as David Sedaris. Her (exclusively female) protagonists find themselves in all sorts of unconscionably degrading positions, but the luckier ones muster up just enough humor & self-respect to weather their scenes of betrayal. The standouts for me were "Bandleader's Girlfriend" (about the convergence between a hedonistic rocker chick and her straitlaced sister), "Ant Colony" (a truly eerie, incisive allegory of how society captures & sustains its "ideal woman"), "Deliverywoman" (a parody of modern relationship healing between a naive spacewoman & her psychopathic mother who could be played by Sigourney Weaver on steroids), "Hellion" (about a deceased woman's surprisingly human relationship with the devil), "Gardener" (a possibly perfect contemporary fairy tale about a frigid marriage transformed by randy garden gnomes), and "She-Man" (the tragic gem of this collection, about the impossibility of achieving love in a wordl driven by bigotry & hatred). It's a thankless job being female, but this book shows that it also makes for a brutally fun read.

Giun đất giundat — This is a definitely a well-written and well-researched novel. But for some reason, the book as a whole didn't sit right (which is why the 3-star rating)... Not to say that it was disappointing, but it is definitely one of my lesser favorites from the author - still definitely worth a read.

Gabychev Alex gabychev — This is a convoluted tale of what happens to a young Jewish woman in the 1920's. She experiences adventure and adventure, all centered around saving her neck. She flees her home when her whole family is killed and ends up in New York.There she finds a job, but quickly upgrades to being a mistress. Her cousin arrives and tells her that Sophie, her daughter, is not dead as she suspected but has been taken to Siberia. She conceives the plan to go fetch her. She hides away in a train and goes all the way to Seattle. There she goes to Alaska. Somehow she never finishes the journey and finds her daughter. Instead she finds a new loving husband. Its failing was in the characterization. It was if the author wanted all her sexual adventures and mishaps to carry the plot instead of defining her as a person.

Laso Productions lasoproductions — Like a "Sliding Doors" with class, this book plays out what would happen if a woman stayed with her stable, responsible lover of ten years, and what would happen if she left him for his irresistibly sexy, volatile friend. Since I constantly "Sliding Doors" my own life--how would life be different if I moved to another city? loved a different man? chose a different career?--I was fascinated to see how the author would resolve the dilemma of, love vs. responsibility; attraction versus lifestyle. What makes this book so nuanced and compelling is that she doesn't. In each of the lives that the main character chooses, a sizable amount goes wrong. I was riveted to the novel, because the plot had all the twists and turns of real life--if the main character wasn't rewarded for "going with her heart" as is the cliche, neither was she lauded for being faithful to her original man. Each choice has its rewards, but as the novel plays out each life informs the other until you realize at the end that the perfect, ideal "compromise" life you would wish for her is not only unlikely, but impossible. In the end the book becomes about more than, this man or that, but about the finite possibilities of each life's existence, and the tiny moments of happiness that we must grasp to survive whichever life we choose. This sounds harsh, but somehow in Lionel Shriver's clear-eyed, sharp, sympathetic hands, it feels strangely comforting.