Ameer Samodien itibaren Shumnovo, Tverskaya oblast', Russia

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11/21/2024

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2020-01-09 17:41

Medya Ve Çocuk Rehberi-Nurdan Akıner TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Kırmızı Yayınları

I started reading Catching Fire the moment I finished The Hunger Games. And I only put it down for the bare necessities until I finished. I sat and read half the book in a matter of hours. Less, even. It picks up a little while after the first ended; Katniss and Peeta living in Victors Village. Rumours of uprisings. And they’re to blame. So the Capitol and President Snow is out to get them. They want revenge, and will not stop until they’ve got it... It was amazing. I’m honestly not sure how to put all the emotions I felt during it into words. Suzanne Collins has this unnerving knack for creating these incredible, unforeseeable twists that left me shocked, hooked and often terrified. An amazing, amazing gift that she uses unbelievably well. I had no idea where she was going after the first book – after all, what book could possibly come after The Hunger Games, one of the most terrifying and powerful reads I’ve ever gone through? Well, it was completely unpredictable, and completely genius, zooming straight past my expectations and beyond. The perfect sequel, in my opinion. The feel of the book was unbelievably real and intense. I literally felt every emotion. Everything dripped with it: words, actions, threats. Over and over again, I was thrown off balance by some gesture or exchange, and I had no clue what was going on. And I loved it. And, once again, Collins has created an emotional roller coaster that has left my head reeling, my heart pounding and my entire body craving more. It’s so addictive it’s untrue. And I have to say that her cliff-hanger is honestly inhumane. Literally. It left me breathless and shaky. And my draw honestly dropped open. The one good thing about reading a series late is that you don’t have to wait. I have Mockingjay already (yes!), something I am eternally grateful for. It’s hard to say any more without actually giving anything away. Besides, how do you describe a book so incredible you can barely put it into words inside your own head? So, it started off slow – nothing much happened in Part 1 – but from then on took off at that breakneck speed I adored from the first book. Once again everything was completely realistic and believable. Katniss is such a genuine character, it felt like I knew her. I felt all of her emotions; all the confusion and love and pain. Sometimes it was so real it actually hurt. And the supporting cast were perfect and lifelike too. Especially Peeta – the sweet, rational baker who loves Katniss more than anything – and Haymitch – the drunk Victor from the 50th Hunger Games, and coach to Peeta and Katniss. I couldn’t even find anything to pick about in the rather shallow but endearing stylists of Katniss, who come from the Capitol. Everything was... well... perfect. That’s how to describe it. Perfect. With enough emotions to have you petrified, crying, laughing, and hooked, The Hunger Games Trilogy is absolutely amazing so far. It makes me think, feel and believe. I even yelled at it at one point (luckily I was alone, so no one could stare at me like I had completely lost the plot). I love it. Perfect. If you haven’t read this series, what are you waiting for? Go now! This second! The minute this is posted I’m running off to grab my copy of Mockingjay from one of the wobbly piles in my bedroom. Do the same! You will not be disappointed. Oh, and Team Peeta Forever!

2020-01-09 19:41

Kaçık Zombi Balığım 5: Yüzgeçler Aşkına (Ciltli) TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Pegasus Yayınları

Imagine a loving, tolerant mother. This mother has a few children, most of whom have a few issues but are otherwise good kids that have bright futures. But one of those kids is more problematic than the rest. He's the cutest little munchkin and anyone would want to love him, but he makes it very difficult. This kid is the one that the schools principal has called his mother about several times. This kid frequently spills stuff, doesn't clean it up, talks to strangers, brings home disease ridden animals to take care of, runs away when you yell at him, gets in trouble for cheating on tests... He is alwyas causing trouble even if he doesn't mean to. He has a good heart but he's just so fucking bad at doing the right thing the right way. His mother knows he has good intentions and loves him with all her heart, even though he irratates her on a regular basis. I am the mother. The Revenants series is my problematic child. I love it so much and wouldn't trade it for the world, but it can be fucking dumb sometimes. Die For Me was one of my favorite books in 2011, so much so that I remembered it four years later in 2015 as a great book and thus reread it. I realized it was a lot worse than I remembered it being. I found so many issues when I read it the second time, but I excused them all in favor of nostalgia. I loved this story the first time around, and I was reunited with the characters I had built up to be much deeper than they really were. And tho it was mediocre, I enjoyed it so much I gave it 3 stars, even though it deserved 2 and I wanted to give it 4. I had the same issue with this sequel. Technically, it sucked. It was flawed. It read very much like a teenager on wattpad. By no means is it great literature, but oh boy does Revenants bring out my girly side. I can't remember the last time I squealed like a 10 year old meeting One Direction. But this book made me do just that. It's a cute book. It's not very clever or original, but it's great for escaping reality. So let me delve into the details of the problems I had. As a gift to Plum for delighting my life with this series, I'm going to give her a mug. A great big coffee mug with the words SHOW NOT TELL in big Impact letters. Plum honestly has no concept of showing, and I can list multiple occasions where it would've come in handy. Firstly, we always hear from the other revenants that Vincent used to be an angry killing machine. If this were true, I would be one happy fangirl. Not only does it add depth and progress to his character, but dark mysterious pasts are hot, okay? In theory, not in reality, anyway. Instead of having the occasiona side character say, Oh, Kate, Vincent is so much happier now that he has you, he used to be so miserable and brooding, Plum could have incorporated some flashbacks, have one of the other characters tell her a story about an event in which Vincent was a heartless killer. Repeatedly telling me Vincent used to be so emo really doesn't give me anything to imagine, because he's so chill and easy-going in present time that it's impossible to imagine. If it's impossible to imagine on my own, you gotta show me. Kate goes a great deal out of her way to stress how unemotional and uncaring Jean-Baptiste is. Except on multiple occasions, all of which she says are rare, he shows compassion and either hugs someone or cries. Plum kind of forces herself to tell and not show because Jean-Baptiste is so rarely in the story that the only times he is, it's because something tragic just happened and he's obligated to show his caring side. But, from the timeline of the books, it seems that all the books occure right after one another, meaning there's really no offscreen time for Kate to be spending getting to know people without the audience present. So, shouldn't Kate only know Jean-Baptiste as well as we do? Because Plum chose 1st person, she needs to resist that pull to the all-knowing narrator and limit herself to only what Kate is aware of. She didn't really do that. Our narrator was too reliable. The character development improves slightly in this book as well. Kate has her own distinct voice at this point, and I guess some form of a personality, all-be-it a not very original one, but Kate does seem to be a person of herself rather than cardboard. Georgia's personality also has a chance to shine in this book, whereas in the first book we were mostly just repeatedly told she was a flirt, told she cared about Kate, etc. In this book Georgia proves all the things that were only said about her in the first book. However, Ambrose is still a carbon-copy of Emmett Cullen, and Jules is still the literature equivalent of eye-candy. I was impressed that Plum resisted the riptide bandwagon that is love-triangles. You could see her swimming out into the ocean, with the whole Jules "I care about you... I can't even tell you..." shit, but she never went out and drowned with it. She came back. Kate seems pretty dedicated to Vincent and Vincent only, thank god. I have to agree with some other reviews I saw: This book has no plot line. It's bunch of loosely connected small events. By the second half of the book I couldnt recall all that happened in the first half, becuase it was so random. You could tell Plum really wanted to be write one of those stories where nothing makes sense until the very end, and then you say OOHHHH, That was so clever!!! But this wasn't exactly that. Everything was more or less predictable. Plum is very bad at hiding who the bad guy is gonna be. (view spoiler) Plum's stories thus far have been very cliche. You could go on TV Tropes and find a long list of tropes she's used within minutes. A lot of plot devices she uses are vey steretypical and almost comical. Some scenes I picture as cartoons in my head, just because they're so ridiculous. (Yes, I'm referring to Lucien's death scene.) It's a shame, because her mythical creatures of choice are so unique, especially to YA, that an original plotline and characters would've made it a truly astounding book. (view spoiler) Anyway, I have the third book sitting next to me as I type this, and I'm the beach right now, my ideal setting for reading. So I will probably finish this series up and cry about it by the end of this week. Stay tuned.

Okuyucu Ameer Samodien itibaren Shumnovo, Tverskaya oblast', Russia

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