Sebastian Brüll itibaren Campottone MC, Italy

sebastianbruell

05/14/2024

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2020-01-02 04:41

Kanaviçe Hat Koleksiyonu-Kolektif TrendKitaplar Kütüphanesi

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The Man of Property The Man of Property is the first book in what would eventually turn out to be the nine volume Forsyte Saga, the work for which Galsworthy is chiefly remembered. It was made into a TV series not so long ago, which is how I'd heard of it, but I hadn't read it until I picked it up to read in an airport recently in order to pass the time thanks to interminable flight delays. It really did quite nicely. The writing is very much of its time - 1906 - and for those who are not used to late Victorian or early Edwardian prose, I think it could prove a little tough going at times. I grew up devouring books from that period, so as far as I was concerned, it was a very comfortable read. Galsworthy does veer a little towards what would be considered sentimentalism nowadays, but he avoids the overt mawkishness which now makes quite a substantial amount of the literature of that period nigh on unreadable - for me, at any rate. The double focus of the book - on the Forsyte family, and on the marriage between Soames and Irene Forsyte - is interesting, and I think helps to reinforce what Galsworthy was trying to get at: the futility of acquiring money and material goods while neglecting the things which truly matter in life. The Forsyte family is drawn well, though at times it felt as if he was using too many examples for the reader to follow easily. The fact that there are ten Forsyte siblings, many of whom have children of their own, means that you really have to get the genealogy straight in your head before you can read on very far. His depiction of the marriage of Soames and Irene was, I think, the most successful part of the novel. The levels of complexity he displays here are very impressive - both of them possess sympathetic qualities and repulsive ones. Despite Soames' rape of his wife, he shows such a complete inability to understand her, try as he might, that all my revulsion was mixed with pity; while Irene's state, though saddening, was tempered by her inability to break out of that wall of stone which seems to surround her personality. There's really enough of a hook in this that I've got the next two volumes in the series lined up to read soon. If you've got any sort of interest in this period of history, I really would recommend these books. In Chancery Perhaps a little slower moving than the first book, and the plot moves in a way which is familiar and predictable in its Victorian-ness in a way which is very reassuring to me; especially since nineteenth century novels are my version of comfort reading. Although the resolution - Irene marrying young Jolyon; Soames marrying Annette - is obvious from very near the beginning of the novel, Galsworthy sketches out the movements of the novel with assurance and elegance. Thematically, the novel hangs well with the rest of the series, and is a wonderful sketch of a particular strata of English society around the turn of the last century. To Let I didn't like this one quite so much as the preceding two. Galsworthy follows the same formula as in the first two books - the tragedy of an unsuitable relationship, and how it can damage an entire family - with an added Romeo and Juliet style twist. However, I never really came to feel for Fleur and Jon the way I did for the characters of the preceding generations of Forsytes. Soames, Irene, and Young Jolyon still continued to be the characters I wanted to see more of. Still the same rambling, elegant Victorian-stye prose that I love, though. I don't know if I would particularly recommend this as a book on its own; still, as a part of the series as a whole, its probably a good idea to read it, if only because it rounds out the characters' stories for you to a large extent.

Okuyucu Sebastian Brüll itibaren Campottone MC, Italy

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