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Tarafından yazılmış kitap Tarafından: Minik Ada Yayınları
very dark.
Tarafından yazılmış kitap Tarafından: İş Bankası Kültür Yayınları
I enjoyed this book, I did. Morgan Howell, however, has made me sad by making a "good" ending that isn't a "happy" ending. I love Yim and Honus. They are a very adorable duo. I want them to be together so badly, and they just never seem to get any peaceful time together. Aside from that, Honus is quite the bad ass. His "mission" at the end of the book were the best couple of chapters in my story IMO. I loved his badassery. Yim of course continues to stay on the straight and narrow path. But I still like her as a heroine. She does struggle with staying good, but of course end the end she always does. I don't have much else to say about this book except that it was a solid sequel. I'm excited to continue with the final book.
Tarafından yazılmış kitap Tarafından: Buhara Yayınları
This book completely changed how I view (and eat) food. Incredibly well researched. A lot of science-y type stuff but it didn't stop me from devouring it and then annoying everyone around me by insisting they read it too.
Tarafından yazılmış kitap Tarafından:
I needed a bit more of a "grab". I wanted to really like this book, but the characters seemed very 1-D, and the storyline is very slow.
Tarafından yazılmış kitap Tarafından: Metis Yayınları
Best. Procedural. Ever. Plus: robots, mecha, ass-kickings, jokes, babes, dudes, guns, car chases, politics, and more robots, mecha, and guns.
Tarafından yazılmış kitap Tarafından: Can Çocuk Yayınları
There's not much to say about this book that others haven't already mentioned. I agree with almost everyone as far as the characters and plot go. I was put off at first, being someone who never enjoyed school because of the constantly ridiculous social drama involved, so I thought I'd never again want to read about it, especially after my horrible experience with "House of Night". But I was surprised that the whole school setting didn't bother me in the least. I really enjoyed Rose, being a girl who doesn't take sh*t from anyone and strives to be the best she can be. I loved experiencing her growth into maturity and the realization of her life's purpose, and it's obvious there will be more maturing for her to do later. Both Dimitri and Christian were delightful, being imperfect yet ideal male characters for almost any girl to fall in love with. Lissa is a difficult one to describe, and like others who've read the book I feel I haven't quite gotten to know her well enough yet. The fact that she is different and more "special" than others of her kind makes her much more complex and hard to understand with all the emotional changes she's going through. I look forward to getting to know her better in the next books (and yes, I'll be reading them!). Richelle's writing is quite brilliant. Although I enjoy a lot of descriptive writing and "padding" as others call it, I also enjoy her no-nonsense, get-to-the-point style of writing. It makes for a great reading experience, the flow quick and easy yet constantly exciting and intriguing all the same. She captivated me from the beginning in this one, and I'm grateful for not being initially confused with what was going on. There was just enough mystery at the start to pique my curiosity into learning more about the mythology and the characters while not making me feel like I had stumbled into the middle of a crazy situation I knew nothing about. It's obvious Richelle did quite a bit of research and has a huge interest in the mythology she incorporated, and I can't wait to read the rest of the series and practically everything else she has written and will write in the future!
Tarafından yazılmış kitap Tarafından: Doz Basım Yayın
Took me a while to get into it but once the story came together it flowed nicely. I haven't read any other stories about the character Alex Cross, I found him to be likable but somewhat predictable.
Tarafından yazılmış kitap Tarafından: Profil Kitap
My very first Discworld! Possibly claims the honor of "Funniest Book I Have Ever Read" on account of me laughing out loud so many times.
Tarafından yazılmış kitap Tarafından: Pusula (Kişisel) Yayıncılık
The contributors ranged from young to old, mothers to daughters to sisters. I especially appreciated those who had a terrible or disappointing "first period" experience with their parents and vowed to change that with their own daughters. I really enjoyed the older stories where "belted" pads were still in vogue - I had never heard of those before (and sadly, I have not read Are You There God? It's Me, Margaret). Or that French women cannot make good mayonnaise while they have their periods. I really loved Gloria Steinem's essay "If Men Could Menstruate" - the updated version in my little red book truly kicked ass! And I swear this entire book was chock full of really awesome quotables :) Complete review on my blog
Tarafından yazılmış kitap Tarafından: Metamorfoz Yayınları
From my review at Books That Rock Us: http://booksthatrockus.blogspot.com/2... There is a scene in a made for TV movie about John Lennon where the former Beatle is listening to the radio while lounging near the beach. He pauses on hearing a curious harmony punctuated by a high-pitched ululation that sends him to the nearest phone to call his wife, Yoko. "They're doing your act," he enthuses with apparent belief that his beloved's avant-garde approach to music is finally gaining acceptance. On this revelation, the scene cuts to a studio somewhere in New York City, where the Lennons commence an historic return to public life through the production of new material that will eventually comprise Double Fantasy and Milk and Honey. To look at those brief moments in a film that otherwise presents a relationship faced with various challenges, one might guess John had been his happiest and most enthusiastic in that time. I wouldn't doubt it. When Lennon and Ono entered the Hit Factory with The B-52's hit "Rock Lobster" no doubt ringing in their memories, they sought to put their own mark on the new decade. Ken Sharp's Starting Over attempts to record every detail of the making of Lennon's new music, and relies upon the memories of everybody involved in the production - from Yoko to producer Jack Douglas, guest artists Bun E. Carlos and Rick Nielsen of Cheap Trick, and a host of studio musicians and personnel, engineers, and music critics. Lennon himself is represented through interviews granted to various sources before his death. The structure of Starting Over offers the play-by-play through a series of direct narratives from all involved parties. If you have read Live From New York, a history of Saturday Night Live as told by cast and crew, you will be familiar with the format. Here, readers bounce around a series of "he saids" and "she saids" where everything from Lennon's day to day mood and work ethic to the food delivered for lunch (sushi mainly, until the band rebelled and began to sneak in hamburgers) is revealed. Largely visible, too, is the overall perception of Lennon being somewhat insecure in his work despite the absence of pressure from labels. Because Lennon was not under contract to make the record, he opted for strict secrecy (it almost worked) and seemed ready to destroy everything if it didn't turn out to his satisfaction. One can only wonder the fate of the music that comprised Milk and Honey had he not died - would he have approved of that release? Despite entering the relaxed atmosphere of the Hit Factory, a cloud did loom overhead - namely the pressure to live up to the Lennon name and reputation, as well as execute an impressive leap from the shadow cast by former band mate Paul McCartney, whose own 1980 album had gone gold. Some may view Lennon's decision to eventually sign with fledging label Geffen Records as opposed to McCartney's label (which, among others, courted Lennon) as a final act of non-conformity. Few stories in the book, told from different angles, contradict one another. Yet, when it happens it happens big. The process of arranging tunes in playing order, as recalled by Yoko, might have resulted in a disadvantageous placement of her songs if others had gotten their way. What I found most fascinating about Starting Over is the latter half of the story, the critical and public reaction to the finished Double Fantasy. As I read, I queued up the album to familiarize myself again with the music that seemed to dominate much of 1981 by virtue of our global mourning. Tracking responses by the major critics of the day, Yoko's work is singled out as the more innovative contribution to the album - interesting to note given that the bulk of Starting Over covers Lennon's involvement in the production. Lennon's songs, which mainly reflect his familial contentment and optimism, are dissected with great care, while explanation of Yoko's inspiration to write is hardly examined. I can only guess this lack of balance is attributed to Sharp's intention to offer Starting Over as a Lennon tribute, with the assumption that Yoko's story will be told in due time. This is not to say, however, that Yoko is shut out completely. We are reminded throughout Starting Over that two artists appear on the cover, and the story of how David Geffen finally won the most anticipated album of the new decade solidifies Yoko's importance in the project. For readers interested in Lennon's later history with a concentration on work rather than gossip, Starting Over is a nice "oral" history, but may come off as a bittersweet read given how the story ends. Thirty years after the events, the stories remain as fresh as the music.
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