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Tarafından yazılmış kitap Tarafından: Destek Yayınları
My first Laurence, loved it.
Tarafından yazılmış kitap Tarafından: İz Yayıncılık
This is an old creaky book. It was apparently used for teaching kiddos in class, as there's all sorts of notes written inside my copy. It's got stories by some authors I know I like, as well as authors I haven't heard of, so hopefully it'll introduce me to some other rad peeps. :)
Tarafından yazılmış kitap Tarafından: Pegasus Yayınları
This story fell flat with me, although it was supposed to be true.
Tarafından yazılmış kitap Tarafından: Tutku Yayınevi
Another excellent Jaz and Vayl adventure!
Tarafından yazılmış kitap Tarafından: İstanbul Tıp Kitabevi
Don't talk about the Middle East - ever - unless you've read this book. Yes, I'm one of those people.
Tarafından yazılmış kitap Tarafından:
My favorite poet!
Tarafından yazılmış kitap Tarafından: Redhouse Kidz Yayınları
Ein Buch, das man nicht einfach so "gut" finden kann. Und nicht einfach so "schlecht". Ein Buch, das Arbeit erfordert; bei dem dem Leser auf jeder Seite mindestens einmal der Gedanke kommt "Dazu könnte man ein Hausarbeitsthema vergeben". Oder: "Darüber würde ich gern eine Vorlesung hören." Ob ich daran arbeite? Ich weiß es noch nicht. Auf jeden Fall könnte ich erst dann legitim Sterne vergeben. So kann ich nur sagen: Teil I und II habe ich als sehr zäh empfunden und gelesen, weil ich gewartet habe, dass etwas passiert. In Teil III ist es dann passiert. Eine Ermittlungsgeschichte mit kinderlosem, kurz vor der Rente stehendem Polizeibeamten und überhaupt allem, was dazugehört. Spannend und für meinen Eindruck recht isoliert von den ersten beiden Teilen. Sprachlich (in der deutschen Übersetzung) ein breites Spektrum zwischen poetischen ("Als er gegen fünf Uhr das Seniorenheim verließ, stand die Sonne schon knapp über dem Horizont, und ihre letzten Strahlen hatten eine herrliche goldene Färbung angenommen. Spatzen hüpften über das vom Raureif glitzernde Gras. Purpur- und scharlachrote Wolken zogen in seltsam zerrissenen Formen in Richtung Westen. Es war unmöglich, an jenem Abend die Schönheit der Welt zu leugnen."; S. 333) und nüchtern-sachlichen ("Langfristig betrachtet werden Brüste mit Silikonimplantaten natürlich irgendwann lächerlich, aber zu jenem Zeitpunkt hat man andere Sorgen, dann denkt man an Gebärmutterkrebs, Gehirnschlag und Ähnliches."; S. 318) Passagen mit eingestreuten, kunsttheoretischen Betrachtungen. Vielleicht richtige Literatur...
Tarafından yazılmış kitap Tarafından: Hepsi Çocuk Yayınevi
Illinois libraries chose this book for their "Big Read" of 2011. It's nonfiction fiction, think along the lines of Truman Capote's "In Cold Blood." The facts are there, but you also have to give the author some amount of creative license to be able to do his job. This is the story of Hurrican Katrina and "Zeitoun" the last name of the main character from Syria, who lives and works in New Orleans as a contractor. After the flood hits, he stays behind to rescue people in his canoe. He gets arrested inside his own house for looting and is jailed for 2 weeks, without being allowed a phone call, where he is questioned by Homeland Security for being a terrorist. Eggers can do no wrong anyways, but the fact that this is actually a true story kind of makes it a must read.
Tarafından yazılmış kitap Tarafından: İnterm
I started reading this book a few weeks ago . . . I'll say more when I've read more.
Tarafından yazılmış kitap Tarafından: Doğan Kitap
In this fifth entry in the Scudder series, Matt is hired by high-class hooker Kim Danniken. She is determined to leave the life, and, fearing her pimp Chance may try to stop her, she figures she may need Scudder's help. Things seem to be going well at first, but then somebody ends up dead, and Scudder realizes he has a much more complicated job on his hands. The plot is interesting, with a few twists and turns, some memorable characters (“Danny Boy” Bell, the black albino dwarf tipster; Chance the elegantly dressed pimp, connoisseur of African masks; Donna Campion, half-hearted hooker and accomplished poet), and more than a few exciting and atmospheric scenes. But the heart of the book—and the reason why I love it—lies elsewhere. It is filled with countless examples of two different kinds of small stories: the ones the newspapers tell its readers about sudden death in the city and the ones AA members tell each other about the ways alcohol has damaged their lives. You see, alcohol is trying to kill Matt Scudder, and maybe New York City is trying to kill him too, and it is through the contemplation of both kinds of stories that Matt comes closer to confronting his demons and getting on with what is left of his life. This is not only the finest Scudder so far, but a landmark and milestone of the hard-boiled genre. It is of course a genre forever tied to the magic of particular cities, but this book is the only one I know that consciously uses the city's stories, the tales of the dead and the dying, as a sort of urban necromancy, a way of calling the hero forward, out of the depths of his city, squinting in pain toward the New York light.
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