Donatus Wolf itibaren Suzhou, Anhui, China

donatuswolf

11/24/2024

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Donatus Wolf Kitabın yeniden yazılması (10)

2018-05-02 09:40

Rode Sc7 3.5Mm Trrs Erkek <-> Trs Erkek Patch Cable - TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Rode

Loved It!

2018-05-02 10:40

Yapı Dergisi Sayı: 394 / Mimarlık Tasarım Kültür Sanat Eylül 2014 TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Yapı Endüstri Merkezi Yayınları

Desde que foi publicado em Portugal, em 2008, que tinha curiosidade em ler este livro, especialmente por tocar num tema que me interessa, o Holocausto. Parecia-me ter uma premissa interessante, bastante diferente do inesquecível "Se Isto É um Homem" e mais próximo do fantástico "A Rapariga que Roubava Livros", pela perspetiva infantil da narrativa. À partida, tinha tudo para ser outra leitura marcante, mas infelizmente não foi isso que aconteceu. Antes da opinião propriamente dita, quero avisar que a mesma contém alguns spoilers e que quem ainda não leu o livro e se importe muito com estas coisas deverá saltar para o último parágrafo. Não é meu costume fazê-lo, mas neste caso sinto essa necessidade de modo a explicar melhor o meu ponto de vista. Bruno é um rapaz alemão de 9 anos que vê a sua vida subitamente alterada quando, por motivos profissionais, o seu pai é obrigado a sair de Berlim, levando a família com ele. O destino é Auschwitz, local conhecido por ter albergado o mais infame campo de concentração do Holocausto. A história é contada do ponto de vista de Bruno e retomo aqui a sintomática frase inicial da sinopse: “Uma história de inocência num mundo de ignorância“; é precisamente essa aura de inocência que o autor pretende transmitir ao contar esta história do ponto de vista de uma criança, preocupado apenas com as suas explorações e triste por ter de sair de Berlim e abandonar os seus amigos, para rumar a um sítio desconhecido. Apenas nas entrelinhas vamos percebendo o que se passa no “mundo dos adultos”. Quando Bruno chega à casa ao lado do campo de concentração de Auschwitz, fica surpreendido pela presença de tantas pessoas com “pijamas às riscas” e com o avançar da narrativa percebemos que não faz a mais pálida ideia do sítio onde se encontra, do que lá se passa ou de quem são os tais “judeus”. Quando decide combater o aborrecimento de estar fechado em casa sem nada para fazer, vagueia junta à vedação do campo de concentração, onde encontra Shmuel, um menino da sua idade (ao dia), com quem se irá encontrar no ano que se segue, quase diariamente. E aqui chego ao que realmente me incomodou neste livro: não consegui acreditar na personagem principal. Não acreditei que fosse possível um rapaz de 9 anos, com o pai que tinha, viver na mais completa ignorância sobre a perseguição aos judeus. Não acreditei que ele conseguisse caminhar junta à vedação durante um ano inteiro sem ser visto, nem que ninguém o visse falar com Shmuel. Assim como me pareceu difícil, para não dizer impossível, que a vedação tivesse uma brecha, conhecida por Shmuel desde o início, e que ninguém tivesse tentado fugir por lá ou ainda que uma criança tão frágil tivesse sobrevivido um ano inteiro naquelas condições. E o final trágico, adivinhei-o assim que o autor arranjou uma desculpa para que Bruno ficasse sem cabelo (piolhos), aumentando as semelhanças com Shmuel e podendo assim passar despercebido no campo. E para além de todas estas situações improváveis, simplesmente não criei qualquer empatia com o miúdo. Chegou mesmo a irritar-me. Achei muito mais interessantes algumas personagens secundárias, como a criada Maria ou o judeu Pavel. A minha sensação durante quase toda a leitura é que o autor me estava a tentar forçar a sentir uma coisa que eu não sentia. E o expoente máximo disso foi o final, que me pareceu estar ali só a bem do dramatismo da história. Resumindo, achei a premissa da história interessante, apesar de não ser inédita, gostei de algumas personagens secundárias e achei que a escrita teve alguns bons momentos. De resto, tudo me pareceu forçado, pouco verosímil e, de um modo geral, desinteressante. Foi uma leitura que não me ficará na memória.

2018-05-02 11:40

Bilge Strateji Dergisi Cilt: 6 / Sayı:10 Bahar 2014 TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Bilgesam Yayınları

What a cool, fun read. I was happy to know that the peculiar children turn out not to be creepy. I was worried when I saw the first set of photos in the book. The addition of the photos is a cool touch - the narrator describes something in detail and you begin to anticipate the photo to see if it matches what you've drawn in your head (btw, not something I normally do while reading). The narrative unravels bit at the end - it seemed rushed and then it sets you up for a sequel, but overall a really fun YA book.

2018-05-02 12:40

Disney Noktalarla Boya Arabalar Faaliyetli Öykü Kitabı TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Doğan Egmont Yayıncılık

Quirky and fun to read but I hope I wasn't supposed to like Blue as the protagonist. A good mystery story.

2018-05-02 13:40

Mektup Yazsam Okur Musun? TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Karina Yayınevi

Very good book. Was skeptical, because of the plot (Demons that form from underground once the sun goes down, eager to rip apart humans and eat them). Although violent, the characters are extremely well formed, I can distinctly see them in my mind, and have a feeling they will be knocking around in my head for a long time. There is a sequel also, will check that out once it is on Audible :)

2018-05-02 14:40

Ece’Nin Serüvenleri: Yardımlaşma Ve Paylaşma TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: smarteach

It was hard to get hooked. But it will probably finally get me to read Moby Dick!

2018-05-02 15:40

Robinson Crusoe TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Akvaryum Yayınları

I read this as a free Kindle book. It was a quick read and didn't make me think too much which is what I like in a quick read. Interesting concept, although I totally disagree with the idea in the book that if one really believed in the premise of Soul Identity, one can not also believe in eternal life in Heaven.

2018-05-02 16:40

Besin Alerjili Çocuklar İçin Pratik Yemek Tarifleri TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Karahan Kitabevi

Stephanie Staal sets out to reread the great feminist classics 10 years after college to get a grip on a life seemingly spinning out of control with demands of marriage and motherhood. There were a lot of things about this book that appealed to me: feminist classics, women's colleges, retrospective examination of the college experience from a standpoint of a life-crisis. And in many ways this book was quite good. I got more excited about authors I knew I ought to read but hadn't yet, and I found out about a few women that I'm putting on my to-read list. It would serve as a decent introduction to feminist texts for women who have little knowledge of them and who have an interest in being married and having children. Unfortunately, the book fights between being a survey of feminist classics and being a memoir of Staal's marital problems. Interesting discussions of books such as The Dialectic of Sex and A Room of One's Own are interrupted by lengthy, and sometimes only tenuously related, passages about Staal's difficulties with her husband and her child. The point is presumably to illustrate the continued relevancy of the work-family balance in women's lives (certainly an important topic), but the personal passages don't seem to come together as a political problem faced by many modern women, instead of the the problems of one isolated family. Perhaps the book has more resonance for women in situations similar to Staal's, but it fails to become relevant for feminists of diverse identities. Similarly, the book also does not reflect the feminisms of diverse women. Out of 26 books Staal chose to read, only one is written by a woman of color, and she does not address womanism or the massive contributions of feminists of color at all. Staal is multiracial herself, and part of the lack of diversity in her reading list can be put down to the canon's focus on white women, however there are many more women of color (and queer women) on the reading lists for the class she took than there are in her book. Audre Lorde, bell hooks, Cherrie Moraga, Gloria Anzaldua, Alice Walker, Angela Davis are all passed over, even in the third chapter which details the divisions among 70's feminists. Staal discusses the feminist sex wars in this chapter, but nothing about pushback from second-wave women-of-color against the overwhelming focus on the needs of white women. Sadly this is not the only instance of Staal's limited focus. Unfortunately, Staal doesn't seem to have a framework for intersectional feminism and seems to have trouble understanding the needs of women who don't share her privileges. Lesbian feminism is described as indulgent, abstract and impractical. "Too many women had beloved men in their lives, whether fathers, husbands, or sons, and portraying them as disposable would only ward these women from feminism's ranks" (241). Staal assumes that there is only one feminism and that it's purpose is to draw as many women to its cause as possible. But lesbian feminism does not exist for the needs of heterosexual women. Just as some women sometimes need a feminism that includes and embraces men, some women at some times need a feminism that is centered around queer/women-only spaces. These feminisms can coexist. Just because one woman wants men in her feminism, doesn't mean that another woman can't have have radical lesbianism as her feminism. Or that one woman can't subscribe to both philosophies. These things are fluid, and ought to be, to mirror our needs at different times in our lives. What Staal fails to recognize, again and again, is the multiplicity of feminism, that feminism has become about more than "women's issues" -- that it has become about social justice -- that it is now feminisms, and that these feminisms concern themselves with the oppression of many different groups and many different kinds of oppression. Describing a class discussion about Judith Butler's ideas about gender identity, Staal says "while contemplating [queer theory and the idea of gender as a spectrum] had the appeal of a brainteaser, I was similarly exasperated. So what? I thought" (246). So what? Only that the oppression of queer, transgendered, and intersex folks is inextricably linked to the oppression of women. Only that many queer, trans and intersex folks are feminists and/or women. Only that their needs should be just as central to feminisms as the needs of straight upper-class white cis women. I found myself wincing through the latter part of this book as it became increasingly clear that Staal had very little grasp of not only queer theory, but also of what things are unacceptable to say about queer folks. A student's comment that trans women are "men paying... two hundred dollars to dress up as a women, and then we teach them how to act like stereotypical women" is left uninterrogated or analyzed as if it were a completely unproblematic statement. Perhaps I'm idealizing women's studies classrooms, but I have a hard time imagining that comment not being addressed as offensive and transphobic. That Staal doesn't even address it is problematic and indicates that her "keen[ness] to bolt the classroom and leave behind postmodernism" comes not only from discomfort with jargon and dense theory, but also from discomfort with the mixing queerness in with feminism. I've been increasingly harsh in my status updates while reading this book, and for good reason. Staal seems to have little patience with feminist topics that are outside her comfort zone. The entirety of the sex-positive movement is written off as "trading on lewdness," while queer theory and lesbian feminism are alternatively portrayed as being indulgent, impractical, too theoretical, and generally beyond the pale. However, for all that, Staal seems aware of the limitations of her survey and her criticism. "As someone who, at the root of things, identifies herself as a feminist, I turned to these books as a way of grasping the difficulties that I was facing at a specific time and place in my life, when as a woman, I felt drawn and quartered by love and guilt, confusion and frustration. The slant of my circumstances therefore determined the titles I selected to write about," she says. "My thoughts and opinions are just that, and I'll wager that many a professor or doctoral student would gleefully tear my interpretations apart -- and probably rightfully so." I enjoyed most of Staal's interpretations and don't intend to tear the others apart for the sake of academic pique. In fact I considered giving this book as a gift to my younger cousin because I very much enjoyed the earlier parts about Virginia Woolf et al; however, for me, the constrained focus of the book on topics primarily of interest to privileged women outweighed my enjoyment of her survey of earlier feminists.

2018-05-02 17:40

Karekök Yayınları 8. Sınıf Teog Matematik Konu Anlatımlı Fasikül Kitap TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Karekök Yayıncılık

Sarcastic & charming.

2018-05-02 18:40

Bir Uzmanın Gözüyle Darbe TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Yaba Yayınları

در میان آثار بزرگ علوی، تنها "چشمهایش" به یک رمان فارسی نزدیک است و یکی دو داستان کوتاه از مجموعه ی "چمدان". آن هم بیشتر برای همان سال های دهه ی بیست که چاپ شده اند. کارهای آخرش مثل "سالاری ها" و "موریانه" بیشتر به شوخی می مانند تا اثری از ادبیات معاصر ایران.

Okuyucu Donatus Wolf itibaren Suzhou, Anhui, China

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