Brian Dinonno itibaren Chaung Thar, Republic of the Union of Myanmar

_i_onno

04/28/2024

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Brian Dinonno Kitabın yeniden yazılması (10)

2019-02-23 12:40

Bilim Felsefesi-Cemal Güzel TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: BilgeSu Yayıncılık

I really though this novel was one of the most touching and sad things I think I have ever read. I will definitely read it again in the future. I also watched the movie, and cried through over half of it. I'm not terribly much of a crier to begin with, so that's a lot. I cried through at least a quarter of the book. It's that kind of story. At this point I'm just going to excerpt a piece of the CCLaP review: So why read this wrist-slasher of a novel to begin with, you might be asking at this point? Well, that's a very good question, in fact, a challenge that McCarthy throws right in your face from the very start, and for the first 50 pages doesn't seem to have much more of an answer than, "Because it won the freaking Pulitzer and made Oprah's freaking panties wet, so how freaking bad could it be?" And indeed, it can get pretty freaking bad, at least before getting used to the deliberately slow pace and deliberately grim outlook -- an utterly unreadable downer, it might seem to many at first, with there being no point in even finishing except maybe to get that final motivation needed to stick your head in a gas oven. Ultimately, though, it's brilliant of McCarthy to do this, simply brilliant I'm telling you, because it's the same central question faced by our protagonist and his son in The Road, with they as unequipped to provide the answer as we are; that in a world most likely destined to snuff itself out and soon, why bother putting in the work to even survive, much less in a way that even hints at what we traditionally call "human ethics?" In a world where even plants can no longer grow, where even the sun no longer shines, when most people laugh at the mere suggestion of God existing, what's the point of even struggling to stay alive? It's a question that has haunted humans in lesser situations throughout history, from Auschwitz in the '30s to New Orleans just a few years ago; as mentioned, here McCarthy is simply pushing the question to its logical extreme, asking it in a situation where there is literally almost nothing left to dream towards or hope for, not even the dream of a heaven or other faith-based afterlife, because of most people having no sense of faith left. And the answer, McCarthy seems to be saying in The Road, seems to be the extremely simple one of, "Well, that's what humanity does. It hopes for a better future. That's what human beings do."

2019-02-23 15:40

Kapadokya’Da Gaudí’Nin İzinde-Juan Goytisolo TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Alef Yayınevi

The early Astrid Lindgren books are hysterically funny, and work equally well for both child and adult readers. The problem is that the two audiences don't find the same things amusing. My Swedish wife said that her grandmother sometimes read this book aloud to her when she was a very small girl. Every now and then, Grandma would have to stop, she was laughing too much. Elisabeth tells me she'd glare at her and say "Shut up and READ!" In this book, Lillebror (literally, "little brother"), is about seven years old, and the youngest of three siblings. 17 year old Bosse just sits in his room and practices on his damn guitar, and 15 year old Bettan has discovered boys, so no one wants to play with him. The family isn't surprised when Lillebror makes up an imaginary friend called Karlsson, a little man who lives in a house on the roof and can fly around with a handy propeller that he has attached to his back. Except, as you no doubt guessed, Karlsson actually exists. He's just a bit shy about letting other people see him. Karlsson is one of Lindgren's finest creations, and that's saying a good deal. He's an appalling egotist, shamelessly manipulates Lillebor in the most transparently obvious ways in order to get food and other treats, and immediately goes off into a sulk if his wishes are crossed. He's also a pathological liar, and doesn't even seem to understand the concept of responsibility. Somehow, it's done in such a clever, ironic way that you can't help loving him all the same, just as Lillebror does. You have to admire the author's skill. Karlsson is always getting Lillebror into various imaginative kinds of trouble. My favorite episode is the bit where Bettan has invited her new boyfriend, Pelle, back home for the evening. She's cajoled the rest of the family into going out (it's completely clear that she's planning a make-out session), but Lillebror's too small, so all she can do is offer him a reasonable bribe to stay in his room. But she's reckoned without Karlsson, who cross-examines Lillebror about the exact wording. He's just promised that Bettan won't see him for the rest of the evening, so if they both go into the living room, covered by a blanket, he's keeping to the letter of the contract, right? So they sneak out quietly and find that the lights are turned down real low, and Bettan and Pelle are on the couch with their arms around each other. As they come in, Pelle is just asking her if she likes him, and Karlsson seizes his chance to join in the conversation. "Bettan likes all the boys, so why wouldn't she like you!" he says triumphantly. And Bettan gets very satisfyingly mad as she chases the pair back to Lillebror's room, shouting that she's going to kill that horrible little kid. If you've got a little brother or a big sister, you're going to love this book.

Okuyucu Brian Dinonno itibaren Chaung Thar, Republic of the Union of Myanmar

Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.