Kitap için kullanıcı verileri, yorumlar ve öneriler
Tarafından yazılmış kitap Tarafından: Metis Yayınları
Not what you think by the title... well kind of. But a really good story.
Tarafından yazılmış kitap Tarafından: Marmara Çizgi
This book was hot. I cant wait to read more.
An interesting look at a selection of rock music lyrics as poetry.
Tarafından yazılmış kitap Tarafından: Arkadaş Yayınları
A book designed for the penny pincher extradonaire. Some of the tips are a bit over the top but there are some great ideas. If only I were so money savvay....
Tarafından yazılmış kitap Tarafından: Kripto Basım Yayın
This was a great Idea.... it changed the way I was thinking about the hacking world around me...
Tarafından yazılmış kitap Tarafından: Meda Kitap
Short and sweet..
Tarafından yazılmış kitap Tarafından: Hep Kitap
Bi-Partisan Preview I was introduced to Delmore Schwartz's writing from two different perspectives in the mid-70's. It might come as little surprise that these introductions had to do with passions that persist to this day: music, literature and politics. Firstly, I discovered that Schwartz had been one of Lou Reed's lecturers at Syracuse University and was the inspiration for his Velvet Underground song, "European Son". Secondly, in 1976, I located the back issues of the political and literary magazine, "Partisan Review", in my University Library and proceeded to read each copy from cover to cover. I would spend two or three hours in the Library every Friday afternoon, before joining my friends in the Union Bar to watch a band and whatever else students do in bars. Partisan Review originally commenced publication in 1934, before splitting from the John Reed Club, after which it went through a hiatus (presumably while it sought funding) and resumed publication in 1937. Despite this history, the first 1937 issue is often thought of as the first issue of the magazine, partly because by now it had become vaguely Trotskyist, but definitely anti-Stalinist, a major departure from its origins as a political and cultural vehicle for a pro-Soviet lobby group. This background is relevant to Delmore Schwartz, because his story, "In Dreams Begin Responsibilities", was chosen by an eminent board as the first item in the first issue, notwithstanding that he was only 21 when he wrote it and 23 when it was published. In the Womb of the Cinema The story commences: "I think it is the year 1909. I feel as if I were in a motion picture theatre..." The narrator is watching a silent movie. In the dark: "I am anonymous, and I have forgotten myself. It is always so when one goes to the movies, it is, as they say, a drug." Two things are notable about this. On the one hand, it is in the very early days of film and motion picture theatres. On the other, the year is four years before the author himself was born. While we shouldn't assume that the narrator is the author or co-temporal with them, it soon becomes clear that the narrator is watching a film about his parents' relationship before he was born (we learn this half way down page two). I love this set-up. A literary meta-fiction that incorporates another medium such as film, which was still in its infancy at the time. Too Much Carrying On [Potential Spoiler Warning for This Section] Anticipating his own miserable future, the narrator tries to deter his parents from starting a relationship, the logical consequence of which would have been that he would never have been born. Yet, all he can do is protest powerlessly at the movie screen. He must be born. He cannot intervene in his own birth. After all, he must be alive in order to have the dream. Nevertheless, his protest attracts the attention of the usher, who admonishes him: "...you can't carry on like this, it is not right, you will find that out soon enough, everything you do matters too much..." Enter a Free and Responsible Being In the process of being expelled from the theatre, he awakes on the morning of his 21st birthday. He is now officially an adult. He is responsible for his own conduct, not his parents. From now on, he can blame nobody but himself. He cannot intervene, in his dreams or in reality, in the lives of anybody else in order to influence what happens in his own life. Now he is his own cause and effect. In dreams such as this begin the consciousness of responsibility. The ego emerges from the id. Existentialism leads us to responsibility. I am responsible for myself and I must now act responsibly. I am alive and ready to embark on my adult life of self-reliance. I am free. A Reading by Lou Reed: http://www.loureed.com/news/listen-to... An Article about Lou Reed's Introduction to the Collection http://www.tabletmag.com/jewish-arts-... An Article about Delmore Schwartz in the Jewish Quarterly http://www.tandfonline.com/doi/pdf/10...
Tarafından yazılmış kitap Tarafından: Doruk Yayınları
Wonderful, beautiful book!! My gosh, Will Parker... wow! To me, this book was really about him. You just want to see his life become something he deserves. Love, happiness, somewhere to belong. I loved Elly but she seemed somehow stronger than Will, she had the kids and yes she had a tough life too, but Will, he is the one you really pulled for. The one your heart broke for. This story was just So good! So, so good. I want to keep this story close to my heart to review when I am idle, just to remember the sweetness of it.
Tarafından yazılmış kitap Tarafından: Karekök Yayıncılık
As a fan of The Chronicles of Narnia and a Christian, I like C.S. Lewis’ creation story. It’s obviously influenced by the first chapters of Genesis, including many parallels to the Garden of Eden and its tempting forbidden fruit. It’s interesting that Aslan creates Narnia through song, just as Lewis’ friend Tolkien records the Valar creating Middle-Earth and the rest of Eä in The Silmarillion. (view spoiler) Lewis uses Uncle Andrew to teach that no one is above the moral law, and that those who meddle in things they're not entitled to often suffer the consequences. Lewis gives a lesson in prayer when Polly asks about Aslan, “Wouldn't he know without being asked?” and Fledge answers, “I've no doubt he would. But I've a sort of idea he likes to be asked.” God, being omniscient, knows our needs, but still instructs us to ask Him. I prefer to read The Magician’s Nephew in the order in which it was published (just before The Last Battle) rather than reading it first, according to Narnian chronology. I feel it works better as backstory than as an introduction to Narnia. The narration by Kenneth Branagh in the HarperCollins audiobook is excellent. Favorite scenes (view spoiler) Favorite quotes (view spoiler)
Tarafından yazılmış kitap Tarafından: Altın Kitaplar - Çocuk Kitapları
even though i've read this book several times and i still can't claim to understand even half of it i think it's one of the most important books i've ever read and probably the first book to really really get me to question and examine every facet of reality and experience. this book sparked my interest in physics and psychology like no other. while its obviously got pyschological aspects, if not entirely psychological in nature, kant's thorough examination of mental phenomena is what sparked my interest in physics, the other side of the coin. and together with the two other critiques, that of judgement and practical reason, this is the most thorough examination of the mind i've ever seen. even though kant lacked our currrent understanding of mental and physical phenomena he managed to sculpt a trilogy that far surpassed his time.
Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.