Christian Tabotabo itibaren Paradanova, Lugo, Spain

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11/23/2024

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Christian Tabotabo Kitabın yeniden yazılması (11)

2018-09-28 02:41

İleri C Programlama - G. Murat Taşbaşı TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Altaş Yayıncılık

SPIDER VEIN IMPASTO (Blood Pudding Press) introduces a new edition with this handsomely delicious designed and curated collection of poetry by some of our most interesting new poets. The reasons for the choice of included poets can best be understood by Juliet Cook, a prolific and very fine poet whose penchant for finding strange and bizarre subject matter is evidenced in her own work and seeps into the colorful binding of this collection. The book is ‘bound’ by colorful ribbon(s) tied along the spine of a cover bearing the artwork ‘Europa’ by Dan Ruhrmanty, an artist whose fluid, quasi- focused imagery and color-weaving alerts the reader to the pleasures or confections within. Pasted on this cover, front and back, are stickers bearing phrases and images such as ‘Baked FRESH”, ‘SLICED”, ‘BUTTER” and ‘Filled’ - each an indicator of Juliet Cook’s seductively manic selection of poets and poems. The book has the appearance of a Limited Edition artwork, and it may well become that! The poets whose works are included are Adam Fieled, Juliet Cook, Andrew Lundwall, Aunia Kahn, Brooklyn Copeland, Candice Rice, Cheryl Townsend, Gina Abelkop, Jenny Sadre-Orafai, John Rocco, Letizia Merello, Melissa Culbertson, Nathan Logan, Nicole Cartwright Denison, Peg Duthie, Sharon Zetter, Susan Slaviero and Suzanne Savikas: each of these fine poets deserves an excerpt in a review but a flavor can be tasted from a few examples. Melissa Culbertson offers a four-part poem entitled Christian Bale Stars in a Biopic About My Ex-Boyfriend, rich with ramblings and fantasies. Letizia Merello is represented by six poems, alternating English with Italian ‘songs’ that dance with a touch a lurid madness. Susan Slaviero’s Robosexual reads: The unwritten eggs beneath her veil, aluminum legbones, a locust husk, the embroidery of her threaded tongue. I allow for flux, fissure, for saints kneeling on upturned spoons. This scene is about design. Later, under girl-cheek moons, she drizzles spittle on a man’s abdomen. The poppies on her helmet disguise starlike dents, a row of rivets. Wake up and bend in unexpected ways. A needle is warmed in the glimmer of a kitchen match. You might be lulled by the cut of her jaw, the unwinding of her limbs. You might be hooked on rubber dolls. You might be licking your own reflection.’ Adam Fieled offers the following jewel Gun and Knife (after J. Tranter) “Please, I’m begging you – don’t do it at 3 a.m., when I’m sleeping, but rather at high noon, in a public square, so that everyone can see a thousand rosy rivulets run like waterfalls away from my innards. A sawed-off shotgun, please, fed to me like cornbread, what I know Is really best, no need for a spoon, just shove it in. Then, when my brain dots & streaks several unready awnings, the knife, have it be long, terrible as angels dancing & as merciless, plunge it deeper, deeper, so that I feel my aorta being severed, really feel it, how shockingly irrevocable, just like that, so that literal nothingness becomes my only reality, which it already is, which is why I’m begging you, please, please.” This kaleidoscopic collection is filled with excellent work such as these two poems suggest. It is refreshing to observe the rise of the chapbook not only filling the need for continued printed publication of fresh new work, but taking the love and attention of editors such as Juliet Cook to present solid poetry in such a colorful and creative edition. Grady Harp

Okuyucu Christian Tabotabo itibaren Paradanova, Lugo, Spain

Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.