Laso Productions itibaren Boutigny-Prouais, France

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11/21/2024

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Laso Productions Kitabın yeniden yazılması (10)

2018-09-06 09:40

Divanyolu TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Kapı Yayınları

A couple of years ago, I was blown by a German boytoy. By “I,” of course, I mean “my mind,” and by “German boytoy,” I mean Herman Hesse. I was reading a book called Steppenwolf, in which a relatively ordinary man, Harry Haller, grows to believe that his body harbors two distinct personalities: his own mundane self and another that is based and animalistic. As the novel progresses, Haller is subjected to a number of strange and surreal situations that lead him to question his identity. Rico Slade Will Fucking Kill You, I think, does something very similar. However, rather than restricting such an outlandish course of events as Hesse does, Sands extends the satirical philosophy to our society at large. Stick with me here. Rico Slade is about an action movie actor who loses his grip on reality and starts believing that he is his character. He is constantly blowing things up, fighting people, and trying to destroy his arch nemesis. It’s fairly easy to sit back and giggle quietly to yourself while you watch his insane antics. But, as I see it, if you’re brain works, you won’t be doing that for long. The events in Rico Slade are every bit as surreal as those in Steppenwolf, only we don’t really recognize them as such. Just below the surface, we see that Sands is saying something about the acclimation our culture has experienced where the fantastic is concerned. It’s not completely unreasonable to think Rico Slade might, in real life, tear someone’s throat out. It’s become pretty goddamned realistic to go into a battle with a gang of cops. It is, I think, much easier to go the route bizarro typically takes and draw out the surreal through the exploitation of Seussian juxtapositions. In this one, however, Sands is using our present day existence as the fantastic setting for his surprisingly normal characters. He’s doing what Huxley did with Brave New World, only he isn’t laying down prophecy; he’s watching you live and is taking notes. As a culture, we idolize people. We love our celebrities so much that we elect them into office. We let these professional fakers run our country. Am I wrong, or does that say something? Chip Johnson, Rico Slade’s real-life persona, has a breakdown and resorts to becoming the person he pretends to be. Suddenly, he sees himself worthy of respect and admiration. He becomes his own man by embracing a cultural cliché. He highlights the dual personalities existing inside of Chip and allows them to fragment in the same way Hesse does with Haller. The key difference there is that Haller achieves something as result of this fragmentation. Does Chip? Or is Sands merely pointing out the absurdity of our lives? Is our search for meaning in this world we’ve crafted out of celebrities and psychoanalysis and really big explosions worth living? Does life have a point if we’re living it as Chip Johnson? Or does it only begin to approach meaning when we forge ourselves into the overwhelmingly unreal action hero? No matter what the answer is, I want to fucking kill you. And Rico Slade will fucking kill you. Put that in your existentialist pipe and go fuck yourself with it.

2018-09-06 10:40

2018 Dgs VIP Sayısal Sözel Yetenek Son 5 Yıl Çözümlü Çıkmış Sorular TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Yargı Yayınevi

Like a "Sliding Doors" with class, this book plays out what would happen if a woman stayed with her stable, responsible lover of ten years, and what would happen if she left him for his irresistibly sexy, volatile friend. Since I constantly "Sliding Doors" my own life--how would life be different if I moved to another city? loved a different man? chose a different career?--I was fascinated to see how the author would resolve the dilemma of, love vs. responsibility; attraction versus lifestyle. What makes this book so nuanced and compelling is that she doesn't. In each of the lives that the main character chooses, a sizable amount goes wrong. I was riveted to the novel, because the plot had all the twists and turns of real life--if the main character wasn't rewarded for "going with her heart" as is the cliche, neither was she lauded for being faithful to her original man. Each choice has its rewards, but as the novel plays out each life informs the other until you realize at the end that the perfect, ideal "compromise" life you would wish for her is not only unlikely, but impossible. In the end the book becomes about more than, this man or that, but about the finite possibilities of each life's existence, and the tiny moments of happiness that we must grasp to survive whichever life we choose. This sounds harsh, but somehow in Lionel Shriver's clear-eyed, sharp, sympathetic hands, it feels strangely comforting.

Okuyucu Laso Productions itibaren Boutigny-Prouais, France

Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.