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Tarafından yazılmış kitap Tarafından: Okutman
Eric is a man who has lost a lot. His mother, his wife, and has moved to the middle of nowhere to raise his daughter. It is only when the world (and another world as well) comes to his home and world that he has to face what and who he and his daughter really are. This novel is just as the title suggests, it is dark. There is a lot of death, even from the very first chapter. But even then it is still a really beautiful story. Eric is a strong man who after being introduced to a new and strange world, he takes it and grows. He fights to protect his daughter and becomes a stronger person. Between two worlds (parallel to each other), Earth and Dark Earth, the story tells of what love and courage can do for someone. With a mix of Celtic myth, werewolves/changelings, witches, and secret organizations that protect the world as warders, you will get a wonderful mix of fantasy and fairy tale. Recommend this book!
Tarafından yazılmış kitap Tarafından: Pena Yayınları
This book was not all it could have been. Or mabye I should just say that I like a happy ending, some sort of resolution and at least a laugh or two along the way. I did not get any of these things from reading this book. The writing was definitely good, you can't really argue with that, after all Almond's got a Printz Honor Book and a Printz winner under his belt. Perhaps it was just because I didn't like the premise, and there was too much fighting between angsty teen boys. Oh well. A few hours gone and one more book read. Now jordan doesn't have to read it.
Tarafından yazılmış kitap Tarafından: Optimist Yayın Dağıtım
I loved it. When do I get the next book?
Tarafından yazılmış kitap Tarafından: Kamer Yayınları
I love, love, love Sarah McCarty and the world she is building in this series. I'm also intrigued by a publisher greenlighting an author to do a collection of three novellas put out as a trade paperback... would love to know the secret to pitching that idea! McCarty write strong (as in really, really strong) alpha males looking for their pre-destined mates paired with some really hot sex. All three novellas are enjoyable, but I do think they would have been stronger (particularly Daire's story) if they'd been just a little longer. Garret's story is my hands-down favorite, followed by Curran's... I'm a sucker for a good chase! Daire's I found disappointing, more because I really wanted him to have a full-length book of his own.
Tarafından yazılmış kitap Tarafından: Olimpos Yayınları
I read this book in a day and was addicted to the tug of war of love and passion-- a must read for all lit freaks.
Tarafından yazılmış kitap Tarafından: Nesil Yayınları
A slow book, until the last couple of chapters, and then the book seemed like it would never end. I enjoyed it and would suggest reading it, but I would buy it in the discount bin or find a friend to get it from.
Tarafından yazılmış kitap Tarafından: Librum Kitap
Although I enjoyed the writer's style, I was disappointed to find out that the main character (Richard III's lover and mother of his bastard children) was completely fictional. Even though the author explained that very little is known about his lover, so she had lots of room to create a character, I prefer historical fiction to be based more on history. I am planning on looking into another book by the same author to see if it follows history a little more accurately
Tarafından yazılmış kitap Tarafından: Artshop Yayıncılık
it seemed, at first, as if prayers had been answered. my immediate thought, that this novel would more closely resemble the motifs of fionavar, seemed vindicated. ned, the 15-year-old protagonist, was interesting enough (although i felt that GGK was a bit too glib with his time-dated references to googling and ipods and coldplay), and in classical fashion the reader is drawn immediately into the story (again, more in the way of fionavar than in the style of his “historical” novels. that is to say, we meet the protagonist in on his way toward what he is becoming, but not in medias res of some kind of mission, premonition or dark, half-told foreshadowing). i have no doubt in my mind that had GGK given it the kind of treatment he had granted fionavar, it would have been spell-binding. there was certainly all the potential for an engrossing multi-book arc--we could have had an entire book, practically, of building up to the appearance of YSABEL. we could have gotten more of an idea of the tensions that existed in the ford family after kim came home from fionavar. i had originally speculated the GGK could have given us that flashback, or told us that story--he did it for dave, at least, in his arc of the original trilogy--but then i recalled his treatment of kevin and jennifer. we never got a flashback, never got a sense of what they had truly gone through on their roads toward their destinies. i suppose it would be too much to expect GGK to grant us that courtesy with kim and dave, however fascinating the story might have been. i almost ache for it--to hear how kim would have tried to return to a normal life and failed. how she and dave--who had given us the barest hint of a courtship in fionavar--rushed off and got married and moved to glastonbury. (clearly some kind of arthurian complex that i DO NOT understand, given how thoroughly GGK examined kim’s self-loathing for re-igniting the arthurian legend during TWF) and how that change had affected her family. why kim couldn’t have kids. who told jen’s family what had happened? i’m overwhelmed by the squandered potential of this storyline. even the plot was flimsily resolved, with more of the same half-assed dues-ex-machina of having ned turn out to be the descendant of the illegitimate child fathered by YSABEL at some point during the 2000-year history this story is meant to encompass. and at the end, poof! the most appalling, from a purely nostalgic-for-fionavar standpoint, is that we never see ned do the obvious--which is to sieze the opportunity, ANY opportunity, to corner either his aunt or his uncle and demand an explanation for the allusions they keep dropping, the names they use to frighten the players (and why these names might have the power to frighten), the reason for the rift between their families. it is, i think, what any self-respecting protagonist would do in the midst of so much strangeness. but GGK keeps this key trio separated for most of the book, on the pretense that since each of the three of them has some kind of ability, they should each be leading their own “team” in the investigation. and even i must confess that such a scene would be difficult to execute without either rehashing the entire fionavar trilogy or sounding like too much unnecessary expositing on the part of either kim or dave (after all, it is meant to be ned’s story). i had gotten about halfway through the book before i turned out the lights for the evening, feeling very disconcerted. i consoled myself that i had felt much the same when i first read TST, because it was so strange and everything was continually left unexplained. fortunately, by the end of the trilogy, even if things hadn’t been fully exposited, enough was known to invest the reader in the story. sadly, the same cannot be said for YSABEL.
Tarafından yazılmış kitap Tarafından: Günışığı Kitaplığı
My horsey friend Devon has read this book and I think it sounds interesting...
Tarafından yazılmış kitap Tarafından: Diyanet İşleri Başkanlığı
شخصیت های داستان با مختصرترین دیالوگها که اغلب از یک جمله فراتر نمیرود به بهترین شیوه ی ممکن یکدیگر را درک میکنند و منظور خودشونو به خواننده میرسانند.بی تفاوتی،خونسردی و عدم وجود هیجان در برقراری رابطه با دیگران و در مواجهه با مسائل زندگی در شخصیت فردریک هنری قهرمان داستان یا بهتر بگویم نقش اول داستان شبیه شخصیت قهرمان بیگانه ی آلبر کاموست که اسمش یادم نیست.همچنین ساده دلی و خوش قلبی فردریک هنری شباهت هایی را با هولدن کالفیلد در ناتوردشت سلینجر ایجاد میکند.
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