Ale González itibaren Rayat Gaon, Uttarakhand , India

_le_onz

12/22/2024

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Ale González Kitabın yeniden yazılması (10)

2018-07-21 07:41

Görsel Eğitim Seti - Kutu Sözlük TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Ya-Pa Yayınları

Elizabeth Stevens is turning thirty-five alone and single. If that wasn’t bad enough, she also has to bake the wedding cake for her ex-husband and the woman he left her for. Her partner at their bakery A Taste of Magic booked the event without knowing, and the bakery is in serious need for cash and clients, so the Liz refused to turn them down. Then, her grandmother, kooky Grandma Verda, reveals to Liz that she has inherited magical powers on her birthday. Turns out, Liz is from a line of gypsies, and now the magic has been passed down to her. But she needs to find a way to control her gifts, because simple mistakes can lead to drastic changes for her family and friends. On top of that, Liz is trying to balance between the hunky cop neighbor and her perfect boyfriend material trainer, while juggling her overly nosy family and damn ex husband. A Taste of Magic by Tracy Madison is cute and quite funny at times. Liz is very relatable, well, besides the whole gypsy magic part, but other than that, she is very down to earth and women would be able to connect with her. I liked the humor in some of the scenes, but the writing didn’t sit well with me. Madison tends to jump forward then back in the timeline of events, often confusing me. And there were a few plot points that I thought were simply unnecessary and could have been cut out. I thought Liz’s character was well built, but some of the supporting characters needed more development. Overall, it was a light read, not my favorite, and the writing needed to be sharper. I know A Taste of Magic is the first in this series, and I hope the others are more engaging.

2018-07-21 12:41

Tevekkül TrendKitaplar Kütüphanesi

Tarafından yazılmış kitap Tarafından: Kitabi Yayınevi

Many years ago I believed this play to be an early experiment in tragi-comedy featuring Shylock, a nemesis of almost tragic proportions, who--both because of the sympathies he evokes and the evil determination he represents--unbalances the play, making the last act in Belmont seem like a hollow exercise in formal completeness. More recently, I believed that Shylock was essentially a comic villain, one dark splash on a predominately sunny canvas that reveals to us the fallen world of Venice transformed by Portia's Belmont. (I also believe our knowledge of the Holocaust makes it impossible to appreciate the play fully in this way). Now-after my recent re-reading--I'm no longer sure what to think. For one thing--taking the title seriously this time--I feel that Antonio the merchant, both in his unexplained sadness, his love (whether erotic or paternal or both) for Bassanio, and his unredeemed solitariness, is extremely important to the meaning of the play. I think that Antonio and Shylock, in their preoccupations and loneliness, are similar, but that Antonio--unlike Shylock--is able to look beneath the surface of things, to peer beneath "our muddy vesture of decay" and hear the music of the spheres as it echoes in the human heart. Thus Antonio becomes capable of love and mercy through choice, in much the same way that Bassanio chooses the right caskets and Portia chooses the mature way to respond to Bassanio's giving away of her ring. Shylock, however, by willingly suppressing his compassion for another and insisting strictly on justice puts himself beyond mercy and beyond love.

Okuyucu Ale González itibaren Rayat Gaon, Uttarakhand , India

Kullanıcı, bu kitapları portalın yayın kurulu olan 2017-2018'de en ilginç olarak değerlendirdi "TrendKitaplar Kütüphanesi" Tüm okuyucuların bu literatürü tanımalarını tavsiye eder.