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Tarafından yazılmış kitap Tarafından: Yargı Yayınevi
The best of the bunch. I'm sad to be finished with the series. It kept me very entertained and I'm going to miss the characters.
Tarafından yazılmış kitap Tarafından: YdsPublishing Yayınları
Sarah Dessen fans will not be disappointed by this book. It has similar themes and similarly likeable characters to her other books (some characters from Along for the Ride actually make an appearance here). Elizabeth Sweet, whose parents have had an ugly divorce, has moved many times with her father, who fixes failing restaurants. With each move she has the opportunity to change her personality and her name, and very carefully avoids forming real friendships with the people she meets, since she knows that she'll be leaving soon. However, several of the people she meets in her newest town, including the boy next door, help her learn to trust friends and to discover who she really is.
Tarafından yazılmış kitap Tarafından: Remzi Kitabevi
Din punctul meu de vedere, Dostoievski ramane titanul literaturii universale,a reusit sa transpuna in miile de pagini scrise adevarata realitate in care personajele, bine individualizate, au devenit prototipuri pentru orice tip de societate.Sunt puse in lumina o aglomeratie de situatii in care, cu siguranta, se regasesc foarte multi oameni din ziua de astazi.
Tarafından yazılmış kitap Tarafından: Büyülü Dükkan
This woman went undercover as a man for a year. Apparently she was pretty convincing. Through this experience she got to understand what male companionship was like and how fundamental gender is to being human, far more powerful a divide than a cultural one. She learned about male competitiveness, sexuality, and the working life, while in turn putting women in fresh perspective as well.
Tarafından yazılmış kitap Tarafından: Elit Eğitim
So I don't usually do the funny book thing, in fact I pretty much hate reading funny or cutesy books, but.... this book is hilarious. It's laugh out loud funny, witty, and a thoughtful meditation on death- all in one book! The characters are actually interesting, not silly and one-dimensional like you might expect to find in a book like this. To sum it up, I love this book!
Tarafından yazılmış kitap Tarafından: Osawa
I love books like this, even though they are meant to depress, or at least anger us at our own stupidity. It seems you can compare any country to the U.S. infrastructure wise, and we will fall short. We like to build things quickly and cheaply, then tear it down in about 30 years cause its wore out, then build it the exact same way again. Mr. Rudolfsky wants us to learn that quality of life is directly affected by the quality we put into our surroundings. His focus here is on the public realm of the streets. I understand he has another book on architecture that is pretty good. We tend to think of a street as being for vehicles only and only as a means of getting from point A to B, but there is a huge variety of what a street can be. It can serve as an open market(though most of the streets used as markets are covered in some way). It can be something that the community identifies with and actually takes pride in. A place of social or commercial interaction. Whatever specific function it serves, it is first a place for the public, and the public usually decides its function. Here, the street is a place for cars, end of story. One interesting point that comes up throughout the book is the reactions that Americans have when they encounter these old world pedestrian thouroughfares. Some involve awe and appreciation, but most decide that any culture that would live so lavishly will never amount to anything. It's almost as though they can't put a dollar amount to such a thing, so it must not be worth anything. I will say that Mr. Rudolfsky tends to preach about our culture at large beyond our infrastructure. You get the feeling he wants us all to become Italian, breakfasting at cafes each morning and attending operas at night. He's not even happy with the way we have block parties, though if it were to happen in Italy it would probably be another story. In the end though, this book is kind of depressing, since most of us would have to actually go to Italy to find anything close to what is described in this book.
Tarafından yazılmış kitap Tarafından: Yabancı Yayınları
Excellent writing, but I couldn't quite get into the characters. A good read, but not as riveting as I had hoped.
Tarafından yazılmış kitap Tarafından: Dıy-Toy Yayınları
This book has always been a favorite. Lewis really captures, I think, how the tempters try to distract us from God. I'd love to be in a study of this book (or even lead one) - there's so much good stuff here. Christian or not, I think anyone with a belief in God would find this book to be valuable.
Tarafından yazılmış kitap Tarafından: Doğan Egmont Yayıncılık
This is a fantastic book. A gripping tale of rivalry, love, deception, revenge and 'Houdini' style magic and illusion. Filled with historical references, outrageous stunts, intrigue and elaborate sets. It's a rip roaring ride through the magic ad illusion of the stage shows in early twentieth century America. The tricks are spectacular, even though you're told how they're done and the story is gripping.
Tarafından yazılmış kitap Tarafından: Artemis Yayınları
This is a fun, long reimagining of history, giving Shakespeare a questionably central role. In Turtledove’s book, the Spanish Armada conquered the English (and the Dutch) to take over England, interrupting Elizabeth I’s reign (and locking her in the Tower of London). So, the English are under Spanish, Catholic and Crusader rule. Yuck, right? It’s especially difficult for Shakespeare as his plays still need to entertain and sell, but now he has to also worry about not raising the ire of the Inquisitors. This is where Turtledove’s history gets a little grand with the Bard. Turtledove – who is a legendary historical fiction writer – imagines Shakespeare being forced to write two plays that could change the course of this imagined history. One is for Spanish King Philip, who is dying; the Spanish conquerors know WS is a great writer, so they assign him to glorify their dying monarch. The other is a retelling of Boudicca, a mythology about a 1st century queen who defied Roman rule (Shakespeare’s mysterious English patron hopes this one play will raise up the inhabitants to force out their oppressors). This is where Ruled Britannia stretches the bounds of plausibility. What I‘ve always understood was that Shakespeare was only a playwright – toward the end of his life, he was even highly regarded – but he didn’t change the social or political landscape. The idea that a stage work could rally an immediate rebellion (whether successful or not) is a funny and entirely impractical one. Remember, theatre was considered a cruder, immoral, base profession – even Shakespeare noted English official hostility - except for Elizabeth I, who liked theatre - and his contemporaries often commented that actors were on par with prostitutes and thieves. Given the conceit that a play can lead an instant uprising against the powerful, though – and let’s be honest; this is speculative fiction, so it can take some license – Ruled Britannia is a frolicsome and crafty novel with lots of lively (if characterized) players. There is a lothario Spanish captain, a budding playwright, who must spy on his literary hero Shakespeare between his many dalliances. Shakespeare will, of course, give this lovable cad a spot on stage. There is Hungerford, a gritty company dresser who helps Shakespeare plot the political alliances of writing and rehearsing two incendiary plays with opposite aims. Rival playwright Christopher Marlowe makes a splashy, wonderful showing. In fact, the book is chock full of enjoyable, labyrinthine tangents provided by the many colorful actors, soldiers, politicians, clergy and common people. What adds to the tension is Shakespeare’s work ethic, and his commitment to creating two great – if politically opposite – plays. Their strengths and weaknesses will help decide whether the Spanish or English will have control over the island by the end of the novel. Turtledove knows he doesn’t have a gift with Shakespearean iambic pentameter, and yet he does a commendable job recreating the two plays. For those of us who know WS well, we’ll hear bits of Hamlet and his other King plays. Boudicca is mostly based on WS’s contemporary writer John Fletcher’s unfinished version; it also shows Fletcher wasn't always as subtle as Shakespeare. Probably the most wincing aspect of these neat stage sections is that Turtledove doesn’t understand the meter of iambic pentameter, making for some sloppy, hard-to-read prosy. The rest of the long novel – did I mention the tangents? – is written in a modernized version of Shakespearean common language. Being the historian he is, Turtledove shoehorns a little too much fact and artifact into these sections, grandstanding a bit. It definitely shows the author did his homework, and the reader gets a clear feel of the world, even the re-imagined bits. It also bogs down an already epic story at times. Still, if you’re looking for a long, winding reinvention of Shakespearean and Elizabethan history, Ruled Britannia is certainly an enjoyable dive.
Tarafından yazılmış kitap Tarafından: Caretta Çocuk
Bu kitapta çok sayıda somut örnek ve kanıt var. BAŞARI işini kitabı okuduktan bir hafta veya ay sonra hatırlamayabilirsiniz, ancak ilkeleri hatırlarsınız. İster saha toplantısına gidiyor olun ister çocuk kitapları yazmaya çalışın, Made to Stick'te harika dersler var. Şimdi sadece cep boyutunda bir versiyona ihtiyacım var ve hepsi hazır!
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