Turbo Hızlı Oku 2 İle 4. Sınıflar Dikkat Ve Hızlı Okuma (Tek Kitap)- Cahit Şimşek ücretsiz kitap indir

邓 乾 lsabel — Such a fun read (and a great metro read). I would definitely recommend this book to anyone who has the slightest interest in (or enjoys drinking) wine. This is an unpretentious look at how wines are made, enjoyed, sold, drunk, etc. It always made me want to pour myself a glass -- so make sure you have a bottle of wine handy when you are reading this one.

Rait Gainullin _ait — this was an interesting read...although, over and over the author tries to convince you that salt is the cornerstone of all historical events. he's a bit obsessed about the importance of NaCl. But, the book is very well researched and gives a great example about how even the most mundane of subjects can be made interesting with enough detail.

Meilan Zeng oceanfish77 — This is the sort of book that demands a second reading. I am still gripped in the dizzying intricacies of the intertwining family legacies and coiling generations, for the story isn't really about the people of Pluto, ND, but about the myriad lives and souls that have graced the earth throughout all of time. There is something of the epic in her story, even though it is set in a small and rather unremarkable town, and does not directly interfere with the history of our relatively young country. So much of the book stands as a metaphor for so much else. In a Faulkner-esque way, Erdrich employs the voices of several primary narrators to carry her story forward. Though some of the narrators seem to have only a bit part, and though some of their personal stories never seem to arrive at completeness, their different perspectives help the reader to piece together the puzzle of the past. We read knowing all the while that the town is dying, and the storytellers are dying. If we are going to get an answer to the mystery presented at the beginning of the story -- who killed five members of the Lochren family? everyone knows it wasn't the three Indians who were hanged for the crime -- it will have to happen soon. Erdrich makes us wait until the final pages of the novel to find out, and the secret nearly dies with the teller. The story ends with an overwhelming sense of the fragility of real history. Perhaps, though, even without resolution to the mystery the story would still retain its impact. Each character plays a role that seems to be determined by his/her part in a larger family narrative, and a larger town narrative beyond that. Their lives are inextricably linked, and the characters cannot help but follow the path they see before them (regardless of how aware or unaware of that path they may be). One hears in Erdrich's narrative an echo of the despondency and fatality of "One Hundred Years of Solitude," in which the characters' lives are no less entwined and predetermined. Perhaps this is Erdrich's perception of the human condition -- or perhaps this sort of thing only happens in small towns where everyone knows everyone else. Regardless, the message is compelling. On top of all this literary richness is Erdrich's elegant, breathtaking prose. Little attention is given to landscape or physical descriptions, but some of her short, clipped sentences more than compensate. "This deep thing had to do with the fiddle" (p. 202). "The dead of Pluto now outnumber the living" (p. 295). So much said in so few words -- a skill possessed by precious few writers. Even more compelling is her ability to shift narrative voice so adroitly. While this makes an initial reading somewhat jarring, Erdrich masterfully gives voice to characters of different ages, races, and generations, and brings to life the various inhabitants of her story. A first reading might be a bit confusion, but a second reading should reveal the depth of narrative and relationships that makes this book so much worth the read.