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Emma Szostok emma_louiise — I admit that I read this because it supposedly influenced the writers of Lost, and there are some similar themes (an underground box, some past sins, etc.), but all the conversations with the first two policemen drove me insane.

Evgeny Domantsevich qw8450wpd961 — I haven't read this book, and I only just found out about it while searching for something else, but I'm giving its title a glowing review. How could it possibly have made through each step toward publication without the difference between "simplistic" and "simple" dawning on anyone involved? Was the title an intentional joke? Either way, it's a grand human achievement on the level of Jesus CEO

Artur Barcik snts — An excellent apologetic overview of the Christian faith. The first half of the book shows how alternate views of the world come up short with regard to meaning, justice, and the problem of evil. The second half is a defense of the orthodox Christian faith and why it is not only reasonable but also the best explanation for human nature and the world we see around us.

Stephen Klippenstein klippart — Oh, book! You were so FUN! I was getting all tense and worried about how poor Tessa was going to prove herself and it was exciting and I desperately wanted her to realize that her tangled up feelings about a certain someone were not all brotherly. But, but...why did you leave me hanging on such a cliffhanger?!?! I MUST KNOW what's going to happen to her! In most ways, Tessa is an average teenage girl. Her parents don't really understand her, she feels like she's caught between two worlds and she's not sure if the boy she likes likes her back. The fact that she's a vampire who's literally caught between two worlds doesn't change any of that. Her parents really don't have a clue how hard it is for her, a genetic throwback, and no one in her family understands that how the full-blood vampires treat her like a stupid little girl. All in all, this was a fun, fast read with a girl who definitely came into her own as the story progressed. I thought Cody and his slow revelations about Tessa were adorable. I like how her mother rose up to defend Tessa once things were brought to her attention. I like that Tessa wasn't willing to abandon a friend, even if he was "only human". I can only guess as to where the next book in this story is heading but I'm DYING to read it now. DYING, Dale Mayer. DYING! -Kelly @ Reading the Paranormal

Alan Matua alanmatua331a — I really wanted to like this one more than I did. Cooper is a UNC journalism school graduate and has extensive reporting experience, so I was really, really surprised by how she wrote this story of growing up in Liberia. The dialogue is great and feels authentic--that was my favorite part. But the author's recounting of herself as a self-obsessed, entitled, clueless young girl in the middle of a roiling storm of class conflict and political unrest felt really offputting to me. I don't doubt that a young, incredibly wealthy young girl in the upper class of Liberia would have felt and behaved the way she did, but I cringed every page because she was so out of touch. Also surprised at how disjointed the story felt. Often the short snippets seemed to be charming to Cooper but didn't really tie together to help the story progress. I understand that with a childhood memoir, it's tricky to integrate personal memories with political events. As a child you aren't completely tuned into the events around you, even as they're shaping your life in dramatic ways. But between Cooper and her editors, they could have worked it out better than this.

Maurice Williams mauricewilliams — This book has some lovely moments and writing, but the pacing is odd and it's not quite a young adult novel because the main character is so young for most of the book. I'll never be able to get any of my fourteen year olds to want to read this. And my younger readers are actually reading up too. If Cantor had made the main character just a few years older, I think this book would have been a winner. I look forward to seeing what she does next.