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Paul P raondo — The whole book is like an encyclopedia of famous people who died, most of them "geniuses." How nice, and it's educational--I learned that D.H. Lawrence is not T.E. Lawrence (both included)--but I guess that's not educational, just my mistake. Anyway, the book says its about drugs or sexual obsessions that lead to death, but the book quickly expands out to people who were just obsessed with working a lot or obsessed with somebody and eventually died, sometimes because of their obsessions, and sometimes not. This can result in some "why is this in here?" moments. While those moments are not plentiful, just distracting, I've also encountered a handful of entries in here that just are not the way things went. Largo seems to have reorganized some people's lives (read:lied) in order to fit the book's format. These re-envisionings throw into question other entries, making me wonder what else is made up. I mean, maybe it could have just been fewer pages and ultimately stronger? Also, some entries seem unfinished, just thrown in perhaps because he forgot the person until right before it was time to turn the book in. The Miles Davis entry is like this--one of the shortest entries in the book, and severely underwritten, since his drug use was heavily tied into his body of work and tied into his life for about 40 years. Come on, Largo.