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Wendy Liu _ami_ama — This is book two, after The Thief. The interesting thing is she switched from first person narrative in the first, to third person in this one. I think it's so she can broaden the story a bit. But it's weird to be inside a character's head in one book and then have to kind of guess what they're thinking in the others.

Will Colclasure williamcolacb4 — "The Best of Michael Moorcock" is a brand new collection of the legendary author's best short fiction, containing several of his classic stories, as well as one previously unreleased story. The collection, lovingly edited by John Davey with Jeff and Ann Vandermeer, is nothing short of excellent. There are really no bad stories here, and some that are simply stunning. As someone who has read many of Moorcock's novels but barely any of his shorter work, I was amazed at how well the author's skill - so much better known for the long, sweeping epic - translates into the much more concentrated short form. Also amazing is the ease with which Moorcock switches tones and styles, from the light-hearted to the overwhelmingly deep, from fantasy to SF to non-genre fiction, from the joking staccato prose of "London Bone" to the lyrical sadness of the Elric story "A Portrait In Ivory". It's easy to see why this man is a legend. One of my favorite aspects of this book are the subtle typographical touches added to each story's title - e.g. the words "Behold the Man" are placed in the shape of a cross, and "London Bone" looks like a tube sign. Each one is different and somehow relevant to the story, and they give the book an old-fashioned - in a good way! - and almost playful air. SF fans have been lucky this year, with two excellent best-of short story collections so far: first Tor released a brilliant Gene Wolfe collection, and now there's Tachyon Publications' Michael Moorcock collection. If, like me, you weren't very familiar with these authors' short works yet, getting these books is practically a must.