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David Powell davidpowell — I didn't realize Alison Bechdel also went to Oberlin until I recognized her drawing of the mailroom in this book. And it is a very good book. I don't usually like graphic novels but this one is fantastic.

Daniel Shubin _ — this book is about a kid who had a book that had a spell that can bring some one to life.then a mummy came, but it was a bad one.so one day the mummy want to capsher the kid and gets the book. so i cant connact this book to any thing because it is ampesple to a mummy to come to life.

Andrea Crotti crottiandr38b4 — Greg Mortenson is my hero! This book should be required reading for every American- he gives such a great perspective on the Middle East and education.

E N evbnetofcbc — Willie loved the outdoors. In fact, he loved the outdoors so much, that when the other boys his age tired of playing sports, Willie stayed outside, wandering around alone, enjoying nature, watching everything. He spent time taking naps by the river, wandering through the woods, listening to the sounds of the wild world. As he grew older, he had to hurry in order to accomplish all of the things he wanted to do in a day, and still make time for himself. Just like he loved to listen to the sounds of nature, he found he loved to listen to his teacher read poetry aloud, and he finally made the connection that he could write his own poems—about the ordinary things he loved: “plums, wheelbarrows, and weeds, / fire engines, children, and trees.” And he decided to write his poems without meter or rhyme. Since poetry didn’t make ends meet, he decided to go to the university to study medicine, and made friends with Ezra Pound, H.D., and Charles Demuth, and the four of them often hung around talking about art, literature, and music. After he graduated, he returned to his home town, and put out his shingle—he started his own practice, visiting patients in their homes in the morning, seeing patients in his office in the afternoons. He was the busiest man in town, but the poems still came to him, and he would write his ideas down on scraps of paper and prescription pads, so that he could climb the stairs to his attic at night, when everyone else in town slept, and turn his notes and ideas into poems. Melissa Sweet’s collage and mixed media art both inspire and are inspired—and actually contribute to the story, highlighting wonderful turns of phrase from Williams’ poetry. The simple, eloquent way in which Bryant tells the story of William Carlos Williams’ life is quiet and effortless, and the way that Carlos’ observations sneak in are priceless. This is the best way I can think of for young people to get their feet wet with Williams, and I can only say that I wish it were there for me when I was small.