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Edwin Neuto neutinhophotograph — This eighth installment of the Sookie Stackhouse series was not nearly as gripping as the seventh, but it was still an absorbing read, and the ending actually makes up for some of the excitement the book lacked. It doesn't end as neatly as the other books, and it feels less like a complete tale and more like a bridge between what had gone before and what is to come in book nine, scheduled for release in May 2009. If you've read the other installments, definitely read this one, but expect to leave it with the sense that you've only read the first half of a more complicated story.

Trevor Eld trevoreld — Cute. I read this a couple weeks after my first visit to NYC, so it resonated with me. A personal chronicle, Wertz is willing to expose all her foibles for the sake of the story. A funny, quirky, slightly disturbing portrait of the artist as a young drunk.

саша чайкин lpride8191a — I bought this from the 70% shelf at Midtown. Its a collection of stories all about Magneto, and all sharing the same theme - sucking. This is one of those volumes that makes you embarassed to read comic books in public. The only good thing about this TPB is that the cover has the most amazing crotch-shot ever. I don't know what the editors were thinking, but the world gets to marvel at Magneto's package.

Tayná Vital symphir — Brown's stories, all save for one written in the first-person, feature wonderfully authentic narrative voices. As a transplanted Southern male, the rhythms and dictions of Brown's narrators were nearly enough to give me flashbacks. However, the narrators were largely undifferentiated; they bled into one another, and the voice that had seemed so singularly wonderful when I read the first story felt somewhat threadbare by the time I finished the closing novella. These stories are also sunk deep within the Southern oral tradition—so much so, in fact, that not all of them seem to work as printed literature. The plots of most of the stories are episodic, and the writing is weighted heavily toward exposition over scene. The strongest stories in the collection—"Sleep" and the novella "92 Days"—are the ones that buck this trend. In all, though, I'd recommend Big Bad Love on the strength of its narrators' voices alone. "My dog died," the title story's narrator tells us at the story's opening. "I went out there in the yard and looked at him and there he was, dead as a hammer. Boy, I hated it. I knew I'd have to look around and see about a shovel. But it didn't look like he'd been dead long and there wasn't any hurry, and I was wanting a drink somewhat, so I went on out a little further into the yard to see if my truck would crank and it would, so I left." And even though the story that follows doesn't completely cohere, it's a simple pleasure just to sit back and let this deep-fried Southern men speak.

Rasmus Erland rasmuserla1bc1 — Not my usual fare but quite a strange story of a beast slowly hunting and killing a stranded whaling boat on the ice. Certainly gets a little weird with the "mystical" stuff occuring and what is in the main characters head and what is happening on the ice.

Emrah Gökçe emrahgokcea7f7 — I was disappointed. I read about half of it, but found myself wishing I was finished or had never started. I don't force myself to finish books because there are so many great books out there.