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Lynn R thegreenginger36 — ** spoiler alert ** This was one of those books I wanted to like a lot more than I did. But the protagonist vacillates between being "broken" and just being nuts, the plot lurches from location to location and utter reversal to utter reversal, and plot elements and characters come out of left field and then vanish into right field again. Sirantha Jax is a jumper, one of the rare genetic talents that helps guide spacecraft through hyperspace, an employee of the Corp. She's also in a mental ward, when we open, recovering from a horrific crash she cannot remember but for which she's feeling great guilt. When a mysterious band of rebels break her out, will she learn the truth about the Corp? Will she lay her ghosts to rest? Will she discover she's a pawn in a great galaxy-spanning game? Will she fall madly in redemptive (and swexy) love with the grim and gritty mercenary? Will we care by the end? You can write a book where the protagonist (and reader) are never quite sure where the next hit is coming from, or who's lying, or when something new (and bad) will happen. And you can write a book that's gritty and psychological, or you can write a book that's swexy and romantic. And you can write a book that's focused on human space, and then turn around and introduce a plethora of deus-ex-aliens at the end. And you can write a book about the dangers and powers of a mysteriously sinister corporate organization that then turns out to be a paper tiger. And you can write a book where everything that happens goes from bad to worse, dragging the hero repeatedly into the depths, until the end wraps up everything in a nice, neat, happy little bow. But you probably shouldn't try to do all those things. And if you do, you should probably make it clear to the reader that you, as the writer, are in control, and not simply hopping from incident to incident because that's what came to mind next to bump up the conflict level. There's some great raw material here. The various elements I mention above are, individually, mostly handled pretty well. It's just put together really, really awkwardly, which made it difficult to enjoy. Hyperspace and the glories thereof to a jumper are initially a huge focus; later it's mere backdrop, hardly worth mentioning except as part of some sort of possible conspiracy that later turns out not to have anything to do with the resolution of the tale. Relationships come, go, change, evolve, devolve, do 180s ... and it's never clear why (real life is chaotic -- literary life may appear chaotic but should have some meta-direction). The protagonist has something of an arc, but it's more self-described than readily apparent. And while the individual glimpses of the galaxy are each done well, they make little coherent sense as a whole. This is the first novel by Aguirre, and it shows promise. I don't feel like I wasted the hours it took me to read, by any means (even at today's paperback prices). But I also don't feel a need to read the book again, nor to pick up any hypothetical sequel; I'll wait for Aguirre to write about someone other than Sirantha Jax.

Mike Mawby mmawby — "Devastatingly" disappointing. I think the author might be fishing for the bad press for this book, hoping someone might give it the hilarious awful review to make it irresistible to at least some readers.

Yishan Zhou _hou_ishan — My dad gave this to me when I was in ninth grade. One of the most graphic books I have ever read. A LOT of sex & violence. Oh, and some history, too.