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Miguel Assis miguelassiscastro — Also breathtaking, though I don't love Ghosh's style. He tends to alternate perspectives in a pretty --- didactic? -- way that takes away from the beauty of the book. But it's still really quite good.

Dan Peach danielchasepeach726a — I reread this for Book Club, and I wasn't any more impressed the second time around. I most enjoyed the end, when we find out what actually happens to each of the characters. Because the narration switches between the viewpoints of each of the four daughters, and I found myself getting frustrated that some of them were used more heavily for plot narration and some of them served mainly for their own character exposition (this second time around, I enjoyed the character exposition narratives more than the plot narratives, as opposed to the other way around for my first reading, which I thought was interesting). Basically, I've read way better books about Africa, and I didn't think any of the characters were strong enough to justify the book being mainly about them. Had the book focused more on characters' relationships, rather than the characters themselves, it might have been more interesting. But the father, the most inflammatory character, was mainly avoided. More exposition of the girls' relationships with him might have been more interesting. I could never work out whether we were to view religion as a life-insurance policy or a life sentence. I can understand a wrathful God who'd just as soon dangle us all from a hook. And I can understand a tender, unprejudiced Jesus. But I could never quite feature the two of them living in the same house. You wind up walking on eggshells, never knowing which Tata Nzolo is home at the moment. Under that uncertain roof, where was the place for my girls? No wonder they hardly seemed to love me half the time--I couldn't step in front of my husband to shelter them from his scorching light. They were expected to look straight at him and go blind.