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Diëresis Dg dieresis — I really like this book as it was my first exposure to the BDB series. Ironically it can be read as a stand alone from the rest of the series. Revh is also ironically enough not a part of the brotherhood which endeared me to him even more. Gotta love the rebel that goes against the expectations of the establishment. I'd highly recommend this book.

Meaghan Mccormack meaghanmccormack — Ridiculous. I was drawn in by the Library of Congress connection, but not even that could salvage it for me. I've read one other book of his and I can honestly say I think I'm done. Melodramatic; over-stereotyped characters; relationships between characters feel like they were written by Aaron Spelling. Ugh. On second thought, if this was meant to be a parody of the thriller genre, then kudos.

Ashley Smith _esign_rom_mith — A poetic, grand, magic realist story about a New Year's Eve celebration held by a working-class Chilean family at an Argentinian construction site. Aira is sweeping at first as he ruminates human behavior as it reflects the everyday concerns of his characters. The tiniest detail opens up a universe of thought and reflection and often some kind of truth. The Viñas family lives and works in a haunted condo development. The ever-present nude male ghosts enter and exit as they please, though they are largely ignored by the family save for the pre-teen daughter, Patri, who is fascinated by them. The central narrative unravels just a bit toward the end, other narratives having already been unraveled or cast aside. Characters’ dialogues becoming more absurd, reflecting the slightly drunken and highly festive countdown to the New Year. The mother and daughter’s unbelievable discussion about the ‘virility’ of males is central to the daughter’s ultimate and predictable decision. The literalness of their language is in contrast to the subtleties in previous scenes, with one very important exception: Patri's dream in which the whole of architecture, including unmade works, is theorized. Aira is quite clear with his language, if not his vision, and the ghosts hovering over like death cause mainly ambivalence within the family. What do they represent? Death itself? The unspeakable? The abstract? Aira’s choice is to allow the ghosts to embody all this and more, without explanation to the reader, while they remain quite literal as ghosts.