Mübarek Gün ve Gecelerde Yapılması Tavsiye Edilen Dua ve İbadetler ücretsiz kitap indir

Nadia Tillu serpentser869c — Blake Snyder has an interesting approach to feature film formula. He breaks all successful movies into a series of steps, such as "Opening Image" (page 1), "Theme Stated" (by page 5), " "Setup" (page 10), "Catalyst" (page 12), "Debate" (pages 12-25) and so forth. Normally I would reject anything this formulaic, but (a) Blake has sold a bunch of screenplays for big money; and (b) my showrunner friend Shelley uses his system to arc out features she's hired to write. So something's working there. Any time a professional screenwriter uses a system, and is willing to tell it to you, it's worth listening, eh? Moreover, the steps make sense. Blake goes through quite a few hit movies in different genres and shows how the beats apply to them. So while most pro screenwriters probably haven't read his book, he may have discovered a basic structure that we have unconsciously internalized. I will probably try his steps out the next time I write a feature -- or next time I try to figure out if a feature I'm writing is working as well as it should. Blake also takes a shot at defining different genres, such as "Dude with a Problem" and "Buddy Love," and picks out the essential structural elements of each. That's useful if you're trying to figure out what genre you're in, which defines what goods you need to deliver. If you like the SAVE THE CAT! method, Blake has written a second book, SAVE THE CAT! GOES TO THE MOVIES, in which he goes through lots and lots of films and breaks them down into his steps. Handy. If you are writing a horror movies, it's good to analyze other horror movies to see how they do it. Likewise if you're writing a romantic comedy.

Felipe Holst felipeholst — I listened to this while driving to and from Buffalo and Bloomington.