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Jel Ylyssa jelguevara — The structure: the chapters toggle back and forth between a fifteen year old runaway and an eighty some year old man. The story lines interlock--a great source of tension. Murakami's fascination with US pop culture, especially its music, is a regular feature in the three books of his I've read. I experienced a certain ironic disappointment when I began reading Murakami--reading a Japanese author who had an equal or better command of US pop culture than I did. I got over it. I don't know classical European music enough to determine if his treatments of classical composers by different characters(a Japanese truck driver's fascination with Bach for instance) carry any weight beyond Murakami demonstrating his familiarity with the same. Even though Tolstoy insisted that if you introduce a pistol into the play, someone has to get shot, I'm not sure Murakami's musings on Hegel, Brahms and Bach by his various characters, constitute good shooting. But I read this book in one day. I obviously enjoyed it. The boy can flat-out structure a story. I'm reading a translation. Either the translator's very good at conveying Japanese vernacular speech into its US parallel, or Murakami's is very adept at conveying parallel impulses in US and Japanese culture. I don't know the latter at all. I just like Murakami's twisted sensibilities.