Konuşan Kitap 5 : Sesli Elifba ve Bitmeyen Yazı Defteri - Mürşide Uysal ücretsiz kitap indir

Kyoungmin Baek mini717 — Read in 2000 and several other times as well. The Merchant Ivory movie was great, too.

Karen Carreño karencarrenio — Trevor Barnet is the scion of a family high in the tobacco empire. His father is a lawyer in the company and Trevor has a so so make work type of a job with the company to meet the requirements of his trust fund. Mainly he is leading a playboy life although not a carefree one. The company is fighting a huge class action lawsuit and if they loose his trust will take a hit along with the company. Trevor is brought into a plan by one of the executives and made an unwitting dupe in his plan to disrupt the lawsuit by shutting down the tobacco industry. Meanwhile Trevor has fallen for a young lawyer who was working for an antismoking lobbying firm. Lots of back and forth maneuvering as the various sides try to get the upper hand. An interesting plot, but some how it was a drag for me. One of those books you have to push your self to keep reading, not one that you hate to put down.

Roland Bischofberger _oland_ischofberger — The date of publication given here must be for this particular printing or this particular publisher, because I first read this book in the early to mid-80s. This is the first of the books CSY wrote about her vampire, whom she based on the real but very mysterious historical figure, le Comte de Saint-Germain. This vampire is not a blood-sucking ghost, but a very human (though undead) man searching for and finally finding the love of his very long life, a debutante named Madelaine, who has come to Paris to be presented to society by her aunt. Unfortunately for the happy couple, her father has promised her as a sacrifice to his fellow devil-worshipers. Though he recants his promise, the cult still considers that Madelaine belongs to them, and it is up to Saint-Germain to rescue her. Yarbro demonstrates an ability to bring the culture of pre-Revolutionary France to life so that even a person who is not interested in the historical aspects of the story cannot help fascination with the differences between then and now.