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Dario Frescofiore youwall — I'll always read what Lee writes, but I'm baffled by the critical praise this book received. His narrator is a retired landscaper who's Italian-American, but I just never bought that Lee was comfortable in this skin. He alternates between overwriting aggressively long sentences and using slang and tough-guy talk that just never seems plausible, as if the narrator has to remind himself of his role but continues to fall out of character. Some sentences were so tangled by their ambition, I'd find myself unable to get past them; they were so intractable. It's not that I couldn't believe a landscaper could philosophize for pages about human potential, but that the man seemed to be torn between two voices that never quite met. Regardless of his narrator's background, Lee can get caught up in his love for particular words like "angle" (v.) and "accrue" and I couldn't help wondering if there was a 12-step program for getting over such a specific idiolect addiction (ah, an editor). Thankfully, he manages to make everything come together in that last tenth of the book and we understand what he's been building up to, like a puzzle that suddenly reveals itself (or perhaps that's my convincing myself it was worth the struggle), but it ultimately can't fully erase my memory of all the awkward passages that preceded it. (2.5 stars)