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Cameron Eq-thirdeye eqdreamsatro — Wow! I wish more writers had Kirkman's balls.

Nikita-le More nikb19999f09 — Not sure what to say about Ortega y Gasset other than that he's a conspicuous elitist, without necessarily being aristocratic or absolutely class-conscious in his elitism; the mass-man is the self-satisfied man, the man who doesn't look beyond himself for meaning or challenge (shades of Lukacs' "transcendental homelessness") -- which is a state of affairs that comes about through the brute fact of plenitude: more people enjoying more goods as their rights (rather than as fruits of their own struggle). Not sure entirely if this will be useful to think about in terms of crowd-theory, but I guess it's nice to see the seething resentment of the crowd in Le Bon become an articulated hope for the coming war with the mass in Ortega y Gasset. (And doesn't that old-style aristo naming convention already makes Jose seem multiple?)

A A _10 — Having read Bray's Printz-winning Going Bovine, I was sure this was going to be another crazy and wild ride. And, yes, Beauty Queens is crazy and wild. As a group of Teen Dream beauty pageant hopefuls crash land on a seemingly deserted island with nothing but their straightening irons and wits to save them, all seems lost. After all, beauty queens are a frightfully witless bunch, right? I admire the genius behind the premise here; a satire designed to destroy preconceived notions of beauty, intelligence, and femininity. However, the satire, for me, fell too flat. The social commentary came off as preachy, silly or just overreaching. While Bray wants us to believe that young women can rise above the caricatures society makes them, she herself fails to really breathe life into them and make them real and sympathetic people. By the end I did want to know what would happen to these queens, but having finished the book just four days ago, I'm sadly already foggy on the details of characters since they never seemed to be more than a sketch.