Galat-ı Meşhur - Doğru Bildiğiniz Yanlışlar - Soner Yalçın ücretsiz kitap indir

Laura Magee elle12281e9d — i liked it but it does have to do with economics......

Steven Guillen stevenguillen — The world is a wonderland

Samuel Muzaevi samuelmuzaevi — First Line: "Grief came in waves, hard and choppy, buffeting and breaking the heart." This is the fourth in the Bride Quartet series. I didn't particularly care for Parker, the heroine, from her appearances in the other three books. However, Roberts did an excellent job developing her character and bringing her down from an anal, type A annoyance, to an empathetic and relate-able character. And her romantic interest, Malcolm (or Mal) is my favorite kind of hero - "It's hard to resist a bad boy who's a good man." He is certainly rough around the edges - a motorcycle-driving, leather-wearing, mechanic. But of course he has a soft spot inside. He is also appropriately wounded, but not whiny. Their relationship was steamy and sweet and funny. I enjoyed this last installment to the series.

Ana Gamda monan5275 — the book is the whole package in the movie

Carla Quintanilla _arla_u_er — Mary Roach traces the historical uses of the cadaver, and, somehow, it’s side-splitting hijinks the whole way. Sells the reader on the book and her comedic voice from the outset—she sets it up in the intro: “The way I see it, being dead is not terribly far off from being on a cruise ship.” If the chapter titles didn’t tip us off, that first paragraph lets us know that a) yes, the book is really about dead people, and b) if you don’t appreciate dark humor, this might not be the read for you. While she rides the humor line on occasion, she doesn’t cross it: flippancy doesn’t equal disrespect in Roach’s hands. She maintains an undercurrent of appreciation for the cadavers, even while having fun at their expense. The fact that the living aren’t spared either helps balance things out: when Roach makes the quip about the beheader not wanting her (Roach) around because she’s liable to put the beheader in a book and call her a beheader, well, we’re on the floor. There are two ways of approaching this material: solemn or jaunty. Roach appreciates the latter—when it’s laugh or cry, she hopes to laugh.