Gül Bekçisi ücretsiz kitap indir

José A _ose_utierrez — I think this is the best translation of Dante.

Maria João _aria_oao_unes — Years ago, following the discovery of corporate spies who were stealing his secrets while working in his chocolate factory, Willy Wonka fired all of his workers and closed the gates of his factory to the public. Since then, no one has been allowed in, and no one knows what goes on inside—until now. A letter appears in the newspaper, written by Mr. Wonka, telling readers that he will be allowing five children and their guardians to visit his factory and see how he makes his chocolate; moreover, each of these children will receive from Mr. Wonka’s factory a lifetime supply of chocolate. But to be among these five children, one must find one of the five golden tickets, each of which has been packaged in one or another of Mr. Wonka’s delicious products. While every child in the world (and probably many of the adults as well) would like to have a chance to visit the famous factory and meet its mysterious owner, one child for whom such an experience would be particularly exciting is Charlie Bucket. Charlie and his family are poor, so Charlie only gets chocolate once a year; moreover, he and his parents eat boiled cabbage at most of their meals because it is all they can afford. To make things worse, Charlie has to walk past Mr. Wonka’s factory every day, and as he passes, he smells the smells coming from there and they make him think of the chocolate he enjoys so much, but has so seldom. Unlike some of the other children in the story, Charlie is patient and polite (and perhaps the alliterative possibilities are intended to suggest that these personal qualities are related to Charlie’s poverty—the other children, significantly, are rich, rapacious and rebellious), and it seems to be because of his strong impulse control and his ability to delay gratification that Charlie avoids making some of the mistakes made by the other children. But Dahl’s book is not all serious moralizing. The exaggerated representation of poverty, the caricatured characters, the fantastic interior of the chocolate factory, and the unreal volubility of the factory owner himself, suggest that in this narrative Dahl is more interested in humor and fun than in communicating standards of good behaviour to children. A satiric work, and just the thing for a still-developing sense of schadenfreude.