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Greg Mackinlay n0ugh7 — A revealing look at the time of Christ. A bit dry and uninteresting in character, but a worthwhile read.

Hugh Mcgown hg_gh — Read many years ago, but as a I remember a bit of a surprise ending.

Bersabeth Caiza betsy14068e1f9 — SUMMARY In this book, someone hoping to learn the basics of zine-making can find lots of information. There are pages and pages artfully crafted with a vintage typewriter and lots of pens and markers by more than 20 contributors that presume to inform young zinesters. There is a section on the 200 year history of zines, another section about how to make your own zine. There are lists of ideas for young people who can't think of their own ideas. There are suggestions on how to use the copy machine brilliantly, and alternative ways to print the zine. Then there are sections about binding and collating, and distribution. The book leaves the reader with a list of resources, zine libraries, and a glossary of terms. EVALUATION I’m glad I didn’t purchase this book. While it provides limited useful information (mainly as a strictly inorganic how-to instruction manual for people who don’t get the trial-and-error, organic process that zine-making is), it is sorely lacking in describing the spirit or the art, and it focuses way too much on the comic strips. Coming from the creators of one of the longest running and better known zines out there, I had higher expectations. I’m no zine connoisseur but I buy my fair share (even contributed to several), and I published a 6-issue zine called Lunch with a Ladybug in high school and and sold it in the cafeteria. I now publish chapbooks of poetry and a literary journal (all hand-bound), and I appreciate the zinesters even more. One of my favorites is a double zine (read one, flip it over, read the other one—they meet in the middle) called Risk Oblivious Youth / Chick Pea. At the end of the first side (in this case, Risk Oblivious Youth, because which is the first side could potentially be a chicken/egg debate), there is advice for those who are feeling blue. Number two on the list says that I should borrow fish identification books from the library because “reading something so methodical and orderly about a part of nature so hidden to us really [takes:] the edge off.” I should take this book back and get a book on how to identify fish. Or flowers. Or something. I can show some kids how to make a zine myself.