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Allan Helfstein allan_ricad1e — This is, I think, Salinger's best book. Begins and ends with a suicide, but oh well! In particular, "Perfect Day for Bannanafish" and "For Esme with Love and Squalor" and, maybe, "Teddy," are just amazing stories. There are about 15 stories I've read in my life that seem just perfect, and "For Esme" is one of them. It's probably the most affecting story about war that I've read (on par with "The Things They Carried"), though it actually dodges the war, itself -- i.e. the story takes place immediately before and after the war, and there's a large dark narrative hole between the two sides. We end wit the broken and painful aftermath. Much of this collection of stories is really about the ways in which WWII destroyed the soldiers who survived.

Coco Yang coco_yang — Again a very sweet story and so niche pictures much more to look than to read.

Mohamed Belhaj mbelhaj10071fd — This second volume in the Hunger Games series is as gripping and intense as the first. I think the most important thing to remember as the reader embarks on their journey into the story is that Katniss is only 16, and even though she won the hunger games--at what cost did she win? This story explores that question and Katniss's reaction to all that she lost in the name of victory.

Hemali Ruwala hemaliruwala — ** spoiler alert ** Two or three books back, Margaret Maron's series featuring Judge Deborah Knott saw the protagonist abruptly enter a relationship with a guy she'd known since childhood, but had never considered as a mate. Carlotta, enagaged (sans ring) to Sam Gianelli, sleeps with Mooney. Until Maron paired off Knott, the stories' voice was entirely first-person, evolving into alternating first-person Knott, and omniscient. This book switches about halfway through from Carlotta to Mooney, and later back to Carlotta, working in tandem with Mooney using the combined info given to the reader. Worked better here than with the Knott series, but I found it derivative of Barnes to use the technique right after Maron did so. I had skipped the previous (blockbuster it seems) book featuring Paulina's abduction to Colombia, and feel I missed little, with Barnes giving enough references to fill in the gap. A big plus of Devil for me was that Paulina rarely appears here, recovering at a mental hospital after her ordeal; Carlotta's agonizing over her "little sister" was tedious, but kept to small doses. It'd been a few years since I'd read the previous books, so I couldn't really remember Sam Gianelli at all (Mooney, Roz and Gloria, yes). He's absent in this one, hiding out from a murder charge, of which Carlotta believes him innocent. Technically, that's true (he was framed), but he reveals himself as pretty much the creepy mobster Carlotta had refused to acknowledge, until now: "Don't you love me, Carlotta?" "I love you, Sam, but I don't like you, nor respect you." Wish I could've done this without spoilers!