Devletin Gizli Sırları Heyet III - Halil Yaşar Kollu ücretsiz kitap indir

Oleev Oleev oleev519b — My knee-jerk reaction to this book was one of great indignation. I didn’t want to believe that MY Pride and Prejudice, the crown jewel of my Jane Austen collection, could be sullied by zombies from some B-rated movie. Don’t get me wrong; I like zombies, but I LOVE Pride and Prejudice (except for the 2005 movie version, which was trash). It was only with the most perverse curiosity that I pushed aside my initial hesitations and went out and bought Pride and Prejudice and Zombies (PPZ). The premise of the story: England has been plagued with “Satan’s soldiers” (zombies) for the past 60 years or so. Meanwhile, in the countryside village of Longbourne, live the Bennets: a household of five fetching and fatal sisters trained in the ways of the “deadly arts” (umm, zombie killing). They live with their mother, whose life's goal is to marry them all off, and their father, who mostly isolates himself in order to stay sane among a house full of ladies. Elizabeth and Jane Bennet are the main focus of the story, with Elizabeth being the most charismatic of the bunch (and thus the protagonist). The lives of the Bennet sisters are forever changed with the arrival of three gentlemen: Mr. Bingley, Mr. Wickham, and (of course) Mr. Darcy. Oh yeah, and some of their friends are being eaten and are turning into zombies. Zombies. Long story short: The sisters and gentlemen listed above spend the entirety of the novel negotiating relationships with each other in spite of their pride in keeping up appearances and their prejudices resulting from first impressions. In PPZ, as with the original, it is the pith and cleverness in Elizabeth and Darcy’s verbal sparring that gets me every time. By now I have read Pride and Prejudice about twice, and I’ll admit that some of the book is pretty boring. But it was the subtle flirtation between Darcy and Elizabeth that got me to the end the book. True to form, their interactions kept me just as interested in PPZ as most of the dialogue remains the same in the rewrite. I felt the zombies were a fun addendum that livened up the in-between-and-boring sections when I was waiting for Darcy and Elizabeth to meet up again. Ultimately, I love that the heart of the story stayed the same. It is a tribute to Grahame-Smith that he could weave such a severe addition into the plot and still manage to keep the charm and essence of this classic intact. I must admit that he certainly left a masculine mark on the story with its innuendos (ball jokes ahoy) and gratuitous violence (not to mention the vomit). But in the end those balanced the book out since it was a little estrogen-heavy to begin with. Besides, every good zombie story should have some ninjas beheading the undead with their katanas, right? These changes didn’t sacrifice the integrity of the story… well, maybe “integrity” is the wrong word. But the characters stayed the same. By the end of the book, we love the good guys and we see that the foolish got what was coming to them. PPZ is to be read with a love of Victorian literature and a hefty (albeit morbid) sense of humor. If you have both of these, you really can’t lose here.

Arturo Vega vegaart — Interesting application of economics. I mean, why DO drug dealers still live with their mothers?

Andrea Garcia garciandreae — 100% pleased with the historical details and overall feel of the book, probably about 75% happy with the plot, which seems to drag at times in an endless repetition of known issues, and with the transitions from one character to another, which are occasionally confusing.