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Jonathan Escobar jernevets_9f5a — I may have to give this book a second look. Most who read it think it's terrific. I felt like it was a throwback to the days when the Boxcar children reigned supreme in the world of children's literature. The author spends a lot of time convincing the readers of her characters' unique personalities--Skye is the tomboy--the very smart tomboy; Jane is the girly--very smart--once and future writer; Rosalind is the sensible (very smart) mother stand-in for the youngest child, who is distressingly and pathologically shy. The children's mother has died and the father is kind--very smart (speaks Latin to the children) and detached. Other characters are barely developed and the problems that come up that need to be solved are predictable. Having adored the Boxcar children growing up, I shouldn't really mind the trip down memory lane in terms of style, setting and character development, but I missed the grittiness of more contemporary literary characters like Harper Lee Morgan (Also Known as Harper)or Annie, struggling to make sense of the death of her brother in Umbrella Summer.

Kate Mccarthy kate88ca — I don't have the heart for this kind of stuff anymore.