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Lika Ul likagh — So painfully detailed a world, yet the MYTH of it all wraps around you completely. People who call this Marquez-redux are annoying reductionists. Sure, there are tiny hints of the magically real but only briefly, and then the realism is just so sharp and heart-filling that it only seems fantastical. The characters grow and age more truly than any living writer but his brother is capable of (why did they both get that? In the genes, in the upbringing, in the punk scene, in the Oxnard water?). And the succession of changes that hit Palomar make this smarter and wiser every page it goes on; like all great sprawling interpersonal epic (faulkner, say), every little thing comes back eventually, twisted and blown up and reimagined and deeply important. Extra kudos for "An American in Palomar" about an exploitative photographer who thinks he can get a good series out of "the impoverished natives" while getting a good lay out of the town girls--and even more praise for not letting it drop, bringing the consequences back years later in a completely unexpected way.