6 Sınıf Din Kültürü ve Ahlak Bilgisi Soru Bankası DDY Yay ücretsiz kitap indir

Jarne Hagelaars jhagelaars5288 — A very strange story about a bitter sea witch who discovers that she can draw a girl or man from the heart of a seal. It is a story of a slow broiling revenge that has implications for the entire island and its unnatural inhabitants. It is in many ways a heart breaking story and you can't help but feel sorry for the sea wives. Its conclusion is by no means shocking or unexpected but...satisfying. I really enjoyed it, it was very well done.

董 小蕴 dongshuyun — Julia and Winston have just been captured by the thought police. I thought it was a great twist in the story of how Orwell made Mr. Charrington, an inocent prole, an undercover thought police. I have enjoyed the story thus far. The world Orwell has created is mind blowing. The way society believes everything the party says to be true. After reading this book, I decided that George Orwell is a relatively crazy man. How he thought up such a crazy, mind blowing story is beyond me. Not only did he have to develope a series of characters and a plot, he had to develope a world that was entirely different to ours. Up until the end of the book I really liked Winston. I respected him for his hate of the party and his want for the revolution. I thought it was cool that he not only thought of his hate for the party but actually took steps against it. In the end I thought Winston was going to escape O'Brien with his mind still in tact and would continue his plans against the party. I was very disappointed when he broke down, allowed himself to be brain washed, and ultimately betrayed Julia. I thought that he was stronger and smarter than O'Brien and could be released with his mind still in tact.

张 菁 _orothy_ — Honestly, not as good as the original, but the concept of the ringworld pushed this book up the ratings for me. Lucky book.

Marcel Trenchard _6711 — Artists who are also religiously minded live in two, often competing, worlds. The art world does not understand nor trust religion (see Postmodern Heretics). Religious communities do not trust nor understand the art world (see State of the Arts: From Bezalel to Mapplethorpe). James Elkins has now done justice to both worlds with intellectual curiously and respect. The book offers a handful of scenerios of how fine artists, including art students, have treated religion in their works from the ironic and condemning to the naive and sentimental. Also addressed is the general art communities posture towards the subject, which is often hostile or at least critically skeptical. This is the finest book on religion and the arts I have read, which is many. I recommend it.